With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Dijon, Baby
On the follow-up to his 2021 debut, Dijon Duenas lays glitchy, psychedelic textures atop his familiar alt-R&B sound to evoke a fractured internet-like aesthetic that’s often mesmerizing.

Rich Brian, Where Is My Head?
The edgy but earnest Indonesian-American rapper further leans into his identity on his first album in six years, welcoming a variety of guests on his trek through self-actualization.

Marissa Nadler, New Radiations
The gothic songwriter’s latest collection of bad-dream vignettes feels like a return to the mold she was cast in as she wrestles with the current state of her country through obscured lyrics.
A.D. Amorosi

2015. The Chemical Brothers Born in the Echoes cover art (1428x)
Get ready to get down like it’s 1995 all over again.

2014. Shabazz Palaces “Lese Majesty” album art.
Like Zora Neale Hurston floating existentialist word-jazz over elastic skronk from Sun Ra’s Arkestra, the newest album from Ishmael Butler (Butterfly, of Digable Planets) and multi-instrumentalist Tendai Maraire is far more scintillatingly experimental than its predecessor, Black Up.

2014. Eno * Hyde, “High Life” album art.
The lizardy charms of “Baby’s On Fire,” the blissful “I’ll Come Running,” the jazzy, energized harmonies of Wrong Way Up: it is this Eno that appears throughout High Life.