Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Pink Floyd, Wish You Were Here 50
This box set repackages the languid yet damaged follow-up to the band’s breakout success, with its true star being the massive-sounding bootleg of a 1975 live show at LA’s Sports Arena.
Blur, The Great Escape [30th Anniversary Edition]
Packed with era-appropriate B-sides, this release celebrates the Britpop quartet in their last gasp of opulent orchestration as they moved into lonely disillusionment and reserved distance.
Nick Cave & the Bad Seeds, Live God
This concert album is a striking time capsule of a veteran rock group in complete control as a unit during their recent global tour, cutting stadium bombast with a gospel reverence.
A.D. Amorosi
Produced by Sean Ono Lennon, this nine-CD, three-Blu-ray set ties together his parents’ raw, grimy Some Time in New York City LP with a pair of shows at Madison Square Garden.
With her fourth album of punky and provocative raps, the Nuyorican artist is once again reimagining hip-hop as a dangerous place to be.
Coming off a set of North American tour dates with a finale at Riot Fest, the co-founder of the Celtic-rock icons faces down 40 years of Rum Sodomy & the Lash with a smile.
Bauhaus and Love and Rockets co-founder Daniel Ash discusses his grooving, menacing, and bold latest venture and how it represents an artist with nothing to lose.
This 37-track collection celebrates the London-born songwriter’s genius run of crisp, soulful R&B albums in the early ’70s that have gone on to inspire hip-hop production, film soundtracks, and more in the 21st century.
There’s a soft-spun sensuality to Plant’s singing as he duets with Suzi Dian on a collaborative collection of covers including spirituals, blues staples, and haunted contemporary folk.
Despite its VIP guest list, the rapper’s second album is less velvet-rope affair than down-to-earth contemplation, a pavement-to-penthouse-and-back-again journey through love and hip-hop.
Further extending the LP’s dimensions, this reissue adds a third disc of outtakes, B-sides, and demos that only serve to fortify the project’s sonic asymmetry and emotional, quixotic lyricism.
With the aid of Ghost Train Orchestra and Kid Harpoon, Byrne continues his trek across urban prairies to explore our goofball commonalities, the quirks of romance, and his own intimacies.
The London trio go out with a loud, still chic-sounding bang—their final album is a party bus filled with old friends, new pals, and fresh, glittering sounds for a proper send-off.
The Icelandic artist’s third album exposes the nerve of classicism that’s long bubbled beneath her jazzy arrangements and melodies, exploiting the broader possibilities of her voice.
On the heels of her first album since settling her nearly decade-long lawsuit, the artist discusses her journey of self-reclamation and her dedication to ensuring that the next generation of pop stars don’t face the same predation.
The pop star embraces the risqué and ribald double (or triple) entendre on her latest record while sticking to the success-filled formula of last summer’s breakout LP.
Dev Hynes’ guest-filled yet distinctly lonely first album in seven years takes his usual complex arrangements, epic electronica, and intricate melody-making and pushes them into the red.
For every tender moment on the country artist’s fifth album there’s one of wind-blow abandon, a yin and yang that complements her split allegiance to the genre’s rich history and the present day.
Chris Smith’s film about the new wave icons possesses a sentimentality largely missing from the band’s 50-year career.
The electronic songwriter discusses her second solo LP, going independent, and the influence of her anomalous body of work on younger generations of pop stars.
Each member’s strengths are on high alert, making the alt-metal band’s thrashing and highly imaginative 10th album a thing of brutal beauty.
The songwriter’s intimately recorded latest LP is a simple affair where humor and bluntness roam freely and his typical experimentation hardly obscures the beauty of his songwriting craft.
The edgy but earnest Indonesian-American rapper further leans into his identity on his first album in six years, welcoming a variety of guests on his trek through self-actualization.
