Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Queens of the Stone Age, Perfecth
The one-time stoner rockers sound totally at ease on an uncharacteristically relaxed-fit release that puts Josh Homme’s personality front-and-center.
The Zombies, Continue Here [Mono Remastered]
Remastered in glorious mono, this collection of non-album singles and B-sides recorded from 1964 to 1967 finally fills the gap between the British Invasion band’s two original albums.
Fujiya & Miyagi, New Shiny Objects
With their 10th album, the Brighton electronic quartet cross-cut a wide range of ’80s-based tropes and influences into something boldly fresh.
A.D. Amorosi
Titus Andronicus // photo by Matthew Greeley
Raging against the dying of the light with the New Jersey band’s new rock opera, “The Most Lamentable Tragedy.”
Touring the Cuisine of the Mediterranean with Bobby Saritsoglou of Philadelphia’s Opa.
2015 Omar Souleyman -Bahdeini Nami cover
No matter who is mixing, though, Souleyman—still in his familiar shades and traditional robes—is the star, and his poignant vocals are as magnetic as his look is unique.
2015. The Chemical Brothers Born in the Echoes cover art (1428x)
Get ready to get down like it’s 1995 all over again.
2014. Shabazz Palaces “Lese Majesty” album art.
Like Zora Neale Hurston floating existentialist word-jazz over elastic skronk from Sun Ra’s Arkestra, the newest album from Ishmael Butler (Butterfly, of Digable Planets) and multi-instrumentalist Tendai Maraire is far more scintillatingly experimental than its predecessor, Black Up.
2014. Eno * Hyde, “High Life” album art.
The lizardy charms of “Baby’s On Fire,” the blissful “I’ll Come Running,” the jazzy, energized harmonies of Wrong Way Up: it is this Eno that appears throughout High Life.
