Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
This Is Lorelei, Box for Buddy, Box for Star [Super Deluxe]
Building off cosigns from the pillars of modern indie-rock cool, Nate Amos extends his 2024 label debut with an album’s worth of covers that meet the heights of the original recordings.
Punchbag, I Am Obsessed
The South London sibling duo take stock of the clutter in their life with a second EP of rave-infused pop-punk that may convince the listener that it was actually recorded in 2012.
Earl Sweatshirt / MIKE / Surf Gang, Pompeii // Utility
Working over Surf Gang’s emollient cloud-rap sound beds, both rappers’ blackly comic takes on the fall of mankind in the 21st century come together in a show of unity, utility, and futility.
A.D. Amorosi
All the firsts, lasts, celebrations, omissions, and grand statements from last night’s award ceremony.
From the stage to the screen, the Canadian actress and writer changed the face and frame of improvisational comedy.
The debut solo album from Animal Collective’s Brian Ross Weitz is an entrancing experiment with the unusual sound of hurdy-gurdy at its highly stylized center.
The producers introduce a first look at the documentary short Unknown Pop Wizard, which commemorates the legacy of the songwriter whose posthumous debut album 65th & York arrived back in October.
The king of the French touch sound talks Kiss the Beast, his frantic new album that counters the domesticated portrait he painted on his previous release.
Flush with a historic list of Black voices both past and present, the producer’s debut album sees him devise yet another way to remake the wheel of soul.
This remastering of the late Suicide frontman’s wired-weirdly rockabilly debut is bolstered by demos and scratch tracks that offer a rare glimpse into the artistic process.
The Nottingham duo rage-rave on with their aggressive brand of electronic post-punk on their apocalyptic and uncharacteristically guest-heavy eighth album.
With the help of producer Patrick Wimberly, the Yorkshire post-punk revivalists both open wide and tighten up their taut instrumental skills and melody-making on their ninth album.
It was a quiet season for standout new holiday releases, but we uncovered 12 festive gems worth spinning.
This box set repackages the languid yet damaged follow-up to the band’s breakout success, with its true star being the massive-sounding bootleg of a 1975 live show at LA’s Sports Arena.
Packed with era-appropriate B-sides, this release celebrates the Britpop quartet in their last gasp of opulent orchestration as they moved into lonely disillusionment and reserved distance.
The live album tied to the new-wave icons’ new concert film shows how a lifelong band persists through loss while maturing their dusky music and a deep connection to their audience.
Aid your post-turkey digestion this Friday with fresh rarities from Billie Eilish, Ol’ Dirty Bastard, Bad Brains, Talking Heads, Robbie Robertson, Curtis Mayfield, Dr. Dre, King Gizzard & the Lizard Wizard, Warren Zevon, and more.
Besides its crystal-clear sound, the draw for this expanded singles collection is its curios such as the 22-minute “America” and Prince’s serpentine contribution to the We Are the World album.
This reissue of the art-rockers’ 1980 debut may not come with the sandpaper sleeve it had upon its initial release, yet that doesn’t make its haunting, all-instrumental music any less abrasive.
This reissue of the band’s final grand theatrical concept with Peter Gabriel as their frontman is given a bolder, brighter, shocking edginess in its remixed remastering.
The reggae icon who put the Jamaican-born-and-branded music on the map internationally with his soundtrack to 1972’s The Harder They Come has passed away at the age of 81.
The group’s 1976 musical chairs of lead guitarists is rarely cited as anyone’s favorite Stones album, though this package reminds us that it’s among their most alive and spontaneous.
This non-chronological batch of remixes and other rarities regales in the utter joy of what must be in the brothers Achers’ heads when they spin gorgeous alchemical gold.
