With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Glixen, Quiet Pleasures
Compelling yet uneven, the strongest compositions on the Phoenix shoegazers’ sophomore EP are often also the most experimental.

Anxious, Bambi
Calling back to the “big swing” pop-punk records from the turn of the millennium, the Connecticut band’s sophomore release is emotionally intelligent and impressively fine-tuned.

Patterson Hood, Exploding Trees & Airplane Screams
The Drive-By Truckers frontman’s first solo album in over a decade both softens and complicates the alt-country band’s barroom-rock formula, distinguishing itself to mixed results.
Alejandro Rubio

Beach Goth header // photo by Natasha Aftandilians
Costumes, cosmic tunes, and getting carried away at the fourth annual gathering of the ghouls in Orange County.

Bryan Ferry, “Avonmore” cover, 2014.
The seersucker-clad crooner is back for his fifteenth solo release, and this time he’s enlisted the help of a few familiar, yet unexpected friends.

2014. Iceage, “Plowing into the Field of Love”
Moving up in production weight class is almost always a tough thing to pull off, but Iceage’s new album verifies that the group is willing to make that jump.

2014. Electric Wurms cover art
If anything, Musik simply exists as a precursor to everything Coyne and Drozd would and did do.