Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Courtney Barnett, Creature of Habit
Still flatliningly deadpan, the Australian songwriter uses the back-and-forth fear of the new as a start point for further depth-diving and confession on her fourth solo album.
The Twilight Sad, It’s the Long Goodbye
The sixth album from the Scottish proponents of existential angst is centered around the intertwining duality of death and life, fueled in turn by feelings of despair, disbelief, and defiance.
deary, Birding
Sounding like a band well into their second decade of existence, the London-based dream-pop trio stretch each song on their debut without ever letting them overstay their welcome.
Alejandro Rubio
Beach Goth header // photo by Natasha Aftandilians
Costumes, cosmic tunes, and getting carried away at the fourth annual gathering of the ghouls in Orange County.
Bryan Ferry, “Avonmore” cover, 2014.
The seersucker-clad crooner is back for his fifteenth solo release, and this time he’s enlisted the help of a few familiar, yet unexpected friends.
2014. Iceage, “Plowing into the Field of Love”
Moving up in production weight class is almost always a tough thing to pull off, but Iceage’s new album verifies that the group is willing to make that jump.
2014. Electric Wurms cover art
If anything, Musik simply exists as a precursor to everything Coyne and Drozd would and did do.
