Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
The Tubs, Hard Life
With its well-curated influences and almost uncomfortably human lyrics, the London jangle-punk quartet’s third LP finds charm and combustible energy in its intersection of bleakness and pep.
Pixies, Bossanova [2026 Remaster]
This newly manicured version of the alt-rockers’ ersatz-divisive 1990 LP is so well-executed from start to finish that it’s impossible to forget that you’re not listening to the original version.
Ezra Collective, Here Because of Hope
The UK jazz quintet are determined to heal while acknowledging pain on their soulful fourth LP of deeply jubilant, genre-bending, and compassionate odes to the enduring power of hope.
Annie Parnell
A 2016 meeting of the minds that’s grown to be an indie-folk classic, Neko Case, k.d. lang, and Laura Veirs revisit their dynamic collaboration with a trove of bonus live material.
Expanding her palette with grungy new influences, the LA-via-Kansas-City songwriter’s second album is often higher-octane while retaining her debut’s emotional core.
Rising above the odd brand partnerships it came paired with, this opulent quadruple-LP reissue builds off of the already-expansive source material with unearthed live recordings from the band’s creative prime.
Natalie Lu’s debut leans into the “pop” side of dream pop, exploring the double-edged sword of yearning with big builds and a combination of delicacy and pummeling sound.
Tears become a sign of joy on the songwriter’s fourth album as she celebrates new beginnings with empathy, resolve, and a bold new pop-forward sound.
Informed by the dualities of harm and healing, the English saxophonist and poet weaves a tapestry of sounds—spiritual jazz, folk, classical, and beyond—into a potent missive of grace.
The Richmond band strips down their alt-country, emo, and post-rock influences on their third LP in a full-force reckoning with mortality and metamorphosis.
The Boston slowcore trio stitch their gentle and heavy sounds back together with a newfound clarity while considering nihilism from a more hopeful angle on their cathartic fourth album.
The British-Brazilian songwriter’s debut collection of pop-friendly jazz and folk-infused mysticism uses nature as a guiding star for understanding our own place within the world.
The Baton Rouge sludge-metal ensemble leans into their punk side with a litany of scorching, fast-paced tracks with a reflective edge on their first full-length since 2018’s doomy Magus.
The Big Thief vocalist’s new solo record is a meditation on loving that revels in duality as Lenker shows off her ability to turn words and memories on their head to reveal new perspectives.
Jilian Medford’s shift to a poppier sound is handled with confidence on her fourth record, which documents the giddy highs and reeling aftermath of a relationship.
The Chicago indie-pop group feel it all on their fifth album, with moments of elation beautifully contrasting with those of sorrow.
