With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Gloin, All of your anger is actually shame (and I bet that makes you angry)
On their second album, the Toronto band taps into the fury of their post-punk forebears with a polished set of psychological insights that feel angry in all the right ways.

Great Grandpa, Patience, Moonbeam
An experiment in more collaborative songwriting, the band’s highly ambitious first album in over five years truly shines when all of its layered ideas are given proper room to breathe.

Bryan Ferry & Amelia Barratt, Loose Talk
This ghostly collaborative album with spoken-word artist Barratt finds the Roxy Music leader digging his own crates for old demos and warped melodies that went unused until now.
Anya Jaremko-Greenwold

Filmmaker Josephine Decker and breakout star Helena Howard discuss instinct, improv, and the power dynamics of a director-actor bond.

“Lake Tear of the Clouds” skims lazily over fields of grass, Murr’s voice aloft on the breeze.

The Twitter maven, comedian, and writer for “The Good Place” has been awards-scheming with her webseries “An Emmy for Megan.”

Jonah Hill and Director Gus Van Sant behind the scenes on the set of DON’T WORRY, HE WON’T GET FAR ON FOOT
On the inscrutable filmmaker’s career, his penchant for troubled, self-medicating men, and his biopic on cartoonist John Callahan.

Now splitting her time between acting and music, the “Gemini” star is conducting to her own tune.

How the viral story “Cat Person,” incels, and Ian McEwan’s book—plus its adaptation starring Saoirse Ronan, now in theaters—all connect, with insight from the film’s director Dominic Cooke.

With each day Puth is saddling closer and closer to Bieber territory—meaning he’s heading in the wrong direction.

Regardless of how “Beetlejuice 2” turns out, Tim Burton’s breakthrough is a lively movie about death that stands the test of mold-covered time.

courtesy of Walt Disney Studios Motion Pictures
Long before it became a Disney blockbuster, “A Wrinkle in Time” was a book—and Meg Murry a heroine—familiar to brainy girls the world over.

You know who the unsung heroes are? Those inanimate objects who aid actors and directors in their quest to make us feel something.

The actress stars in Paul Thomas Anderson’s latest and Raoul Peck’s “The Young Karl Marx”—both roles in which she plays wife to great men who need her much more than they realize.