With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Tame Impala, Deadbeat
Despite finding inspiration in house music and the birth of his daughter, Kevin Parker’s fifth album is largely defined by a conflict between past and present.

Sudan Archives, The BPM
Brittney Parks’ inventive third album channels the electronic musical lineage of Chicago and Detroit by combining house, techno, and footwork with broader sounds like hyperpop and IDM.

The Last Dinner Party, From the Pyre
The Londoners’ second LP doubles down on the ’70s pomp for another ornate, big-budget collection of orchestral glam rock that, despite its flair, doesn’t leave a lasting impression.
Anya Jaremko-Greenwold

Filmmaker Josephine Decker and breakout star Helena Howard discuss instinct, improv, and the power dynamics of a director-actor bond.

“Lake Tear of the Clouds” skims lazily over fields of grass, Murr’s voice aloft on the breeze.

The Twitter maven, comedian, and writer for “The Good Place” has been awards-scheming with her webseries “An Emmy for Megan.”

Jonah Hill and Director Gus Van Sant behind the scenes on the set of DON’T WORRY, HE WON’T GET FAR ON FOOT
On the inscrutable filmmaker’s career, his penchant for troubled, self-medicating men, and his biopic on cartoonist John Callahan.

Now splitting her time between acting and music, the “Gemini” star is conducting to her own tune.

How the viral story “Cat Person,” incels, and Ian McEwan’s book—plus its adaptation starring Saoirse Ronan, now in theaters—all connect, with insight from the film’s director Dominic Cooke.

With each day Puth is saddling closer and closer to Bieber territory—meaning he’s heading in the wrong direction.

Regardless of how “Beetlejuice 2” turns out, Tim Burton’s breakthrough is a lively movie about death that stands the test of mold-covered time.

courtesy of Walt Disney Studios Motion Pictures
Long before it became a Disney blockbuster, “A Wrinkle in Time” was a book—and Meg Murry a heroine—familiar to brainy girls the world over.

You know who the unsung heroes are? Those inanimate objects who aid actors and directors in their quest to make us feel something.

The actress stars in Paul Thomas Anderson’s latest and Raoul Peck’s “The Young Karl Marx”—both roles in which she plays wife to great men who need her much more than they realize.