FLOOD

Filmmaker Josephine Decker and breakout star Helena Howard discuss instinct, improv, and the power dynamics of a director-actor bond. 

“Lake Tear of the Clouds” skims lazily over fields of grass, Murr’s voice aloft on the breeze.

The Twitter maven, comedian, and writer for “The Good Place” has been awards-scheming with her webseries “An Emmy for Megan.”

On the inscrutable filmmaker’s career, his penchant for troubled, self-medicating men, and his biopic on cartoonist John Callahan.

Now splitting her time between acting and music, the “Gemini” star is conducting to her own tune.

How the viral story “Cat Person,” incels, and Ian McEwan’s book—plus its adaptation starring Saoirse Ronan, now in theaters—all connect, with insight from the film’s director Dominic Cooke.

With each day Puth is saddling closer and closer to Bieber territory—meaning he’s heading in the wrong direction. 

Regardless of how “Beetlejuice 2” turns out, Tim Burton’s breakthrough is a lively movie about death that stands the test of mold-covered time.

Long before it became a Disney blockbuster, “A Wrinkle in Time” was a book—and Meg Murry a heroine—familiar to brainy girls the world over.

You know who the unsung heroes are? Those inanimate objects who aid actors and directors in their quest to make us feel something.

The actress stars in Paul Thomas Anderson’s latest and Raoul Peck’s “The Young Karl Marx”—both roles in which she plays wife to great men who need her much more than they realize.