With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
The Cure, Songs of a Lost World
The lyrical doom and gloom that matches the music’s slowed, metallic, ethereal ambience on the band’s first record in 16 years focuses very pointedly on true death.
Planes Mistaken for Stars, Do You Still Love Me?
The Colorado heavy rockers’ fifth and final record exhibits their broadest sense of appeal, ranging from aggressive noise rock to catchy post-hardcore hooks.
Leaving Time, Angel in the Sand
At various turns haunting, alluring, catchy, and confident, the Jacksonville shoegazers’ well-considered debut introduces the band with aplomb.
Anya Jaremko-Greenwold
The filmmaker talks her seminal debut, how she dealt with that rape scene, & what female directors are up against.
Do you feel held by him? If not, it’s either the bear suit or counseling.
Following Lana Del Rey’s dig at NPR, this is refreshing.
Ranking all the times Zach Galifianakis antagonized hot/wealthy people.
She’s practically an architect.
Universal Studios invites you to confront your murderous doppelgänger.
An entirely subjective list of the songwriter’s greatest hits on what would have been his fiftieth birthday.
Unshaven, gruff, and lonely seamen. What more could you ask for?
They sang “I Like America & America Likes Me,” and Healy had a semi-meltdown onstage.
All your money will be lost in time, like tears in rain. Time to be poor.
Before the sparse crooner released his first new album in six years, he rose to Instagram stardom by way of writing haikus.
Why post blurry Fourth of July vids on social media when you could post screenshots from these classic works of cinema?
The grandson of Jacques Cousteau and the world’s foremost shark photographer chat.
He’s the only person to have scaled Yosemite monster-wall El Capitan without ropes, a feat detailed in the Oscar-winning doc “Free Solo.”
A pair of English rising superstars on their music careers, collaboration, and YouTube success.
Brooklyn’s power pop foursome have a visual for their second album’s title track.
The show is over, but fashion is furever. (Like, fur pelts. There are a lot.)
The writer/comedian is really nice. Like, suspiciously nice.
Is this the best cast ever assembled?
He just wrote a dope tune about Elmo for the fiftieth anniversary of “Sesame Street,” and he has a long history of songs before that.