Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Truck Violence, The Weathervane Is My Body
The Montreal rockers blend sludge metal and raw folk on a second LP of visceral impact, doom-laden ambition, and violent twists and turns that often lacks lucidity.
Del the Funky Homosapien, Future Development [Reissue]
Its wily wordplay and metal-to-rubber production aided in making the Bay Area rapper’s third album something that was out-of-time back in 1997, and handsomely timeless now.
Butthole Surfers, After the Astronaut
The noise rockers’ long-shelved follow-up to Electriclarryland arrives as a fascinating artifact of a band caught between self-sabotage and the lure of commercial pop accessibility.
Anya Zoledziowski
A twelve-track saga loaded with menacing beats and ’90-style boom-bap flows.
Despite its imperfections, the album is enjoyable when odes to funk music liven up its heavy pop sound.
Travis Scott / photo by Carlo Cavaluzzi
What business do I, a middle-class girl from Canada, have listening to music rooted in black history and struggle?
Carey’s sotto voce coos are soothing as ever, but it’s clear she played it safe.
Like a good brandy, Banks’s voice will warm your core.
