With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
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Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
12
The Los Angeles Issue
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Reviews
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Stereolab, Instant Holograms on Metal Film
Their first new album in fifteen years spins on an axis of subtly infectious refrains and gently askew rhythms—it’s avant-garde art-pop as something radically old yet experimentally new.
Sparks, MAD!
The Mael brothers’ 26th album purrs with sincere longings dedicated to romantic splits, though ultimately remains true to the duo’s idiosyncratic melody and tongue-in-cheek lyricism.
These New Puritans, Crooked Wing
The interplay of organ and voice throughout the Essex band’s fifth album creates a haunting document of the modern world wrestling for coexistence with the old world.
Brian Josephs
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Injury Reserve Insist They Are a Rap Group
The hip-hop threesome on their self-titled debut and the freedom of being from Arizona.
May 28, 2019
Film + TV
“The New Negroes” Takes the Black Renaissance to Comedy Central
Open Mike Eagle and Baron Vaughn’s new show presents a platform for black, left-of-mainstream acts.
April 19, 2019
Film + TV
In Conversation: Wyatt Cenac Has Some Problems to Discuss
The “Problem Areas” creator navigates diversity in the writers’ room, gentrification, and the surreality of modern America.
June 04, 2018
Film + TV
Remembering the Black Friendship of “Hey Monie!”
Following the fifteenth anniversary of BET’s “Hey Monie!,” key figures from the show look back on the now-obscure animation that was ahead of its time.
April 20, 2018
