With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Alan Sparhawk, With Trampled by Turtles
Far more mournful than his solo debut from last year, the former Low member’s collaboration with the titular bluegrass band is drenched in sorrow, absence, longing, and dark devastation.

Cola Boyy, Quit to Play Chess
Despite bristling with Matthew Urango’s familiar cotton-candied disco, the late songwriter and activist’s sophomore album also opens the floodgates to everything else he seemed capable of.

yeule, Evangelic Girl Is a Gun
The London-via-Singapore alt-pop songwriter continues to experiment on their fifth album, with the heaviest and weirdest moments also feeling the most authentic and energizing.
Cameron Crowell

WHAT ARE YOU HIDING PUNY HUMAN JOHN DWYER, RING POSSIBLY?

photo by Pamela Ayala
The world’s best American band proves it all night.

During times of protest, resistance is sometimes reduced to consuming the right media. Sheer Mag are a big fuck-you to that type of complacency.

“Soft Sounds” shows Michelle Zauner constantly reinventing herself, proving that she can dabble in any genre and produce something that stands with the best of them.

In the fractured Age of Trump, listening to voices from outside of the mainstream is more important than ever.

There’s a perpetually moving world out there.

On her latest with Cold Beat, Hannah Lew toys with the false dichotomy that implies that the complicated and difficult-to-listen-to have inherently more to say than a simple, accessible pop song.

NE-HI / photo by Bryan Allen Lamb
The Chicago quartet give sunny garage pop a melancholy tweak.

Le Bon’s music lives in an alternate universe—one that’s nearly identical to ours, but laden with a persistent feeling of anxiety.

Behind the blur of words and scrim of melodrama, Amy Sherman-Palladino’s beloved series shows us a buffoonish tyrant at work.

joyce_manor-2016-cody
There’s a new texture and flavor to the raw, pouring-salt-on-a-wound sadness coming out of Torrance.

Don’t call it a breakup record.

The Memphis band’s grinding, atonal punk is matched by their dedication to garage-rock bombast.

Framed by flags and game tents, a rider on the ferris wheel throws his hands to the heavens as golden light from the setting sun bathes warm colors on the Orange County Fairgrounds, Saturday evening in Costa Mesa. (Photo by Richard Hartog/Los Angeles Times via Getty Images)
Cameron Crowell spent the summer cleaning up barf while “Pour Some Sugar on Me” blasted from speakers overhead. And yet: he’s still alive.