With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Stars of the Lid, Music for Nitrous Oxide [30 Year Anniversary]
Released for the first time on vinyl, the Austin drone duo’s dark, raw debut elicits awe, wonder, and terror all at once as it confronts listeners with the darker aspects of existence.

Post Animal, Iron
Reuniting with original member Joe Keery, the Chicago-based psych-rock band finds a new direction in the woods of Indiana with their rustic fourth album.

Talking Heads, More Songs About Buildings and Food [Super Deluxe Edition]
The band’s first album with Brian Eno is a portrait of two ecosystems learning each other’s ways, with this box set’s exclusive rarities further revealing the collaboration’s inner workings.
Dan Epstein

San Clemente comedians Chad and JT — real names, Tom Allen and John Parr — took their (perhaps authentic) surfer dude characters to Huntington Beach last week offering free masks. Their video, both funny and eye-opening, went viral — attracting millions of views. (Photo courtesy of Tom Allen and John Parr)
Orange County-based surfer bros employ radical kindness, an “aura of stoke,” and hilarious city council appearances to slyly promote grass-roots engagement.

Founder Aaron Huey and Executive Director Cleo Barnett on how the Seattle-based design lab harnesses the change-driving power of analog art in a digital age.

The Brazilian electronic composer’s debut under the moniker, “The World As We Know It,” arrives this Friday.

The bass player passed away yesterday at the age of 72.

Brian and Michael D’Addario on their new record and the sonic secrets at the heart of their ’70s obsession.

Here are ten musicians who owe an insurmountable debt to the late King (and Queen) of rock ’n’ roll.

We caught up with the band’s frontman Bobby Hecksher to get the latest on their ninth album and new video.

A previously unpublished interview with the post-punk guitar legend.

With Craft Recordings reissuing their first two LPs, the band’s drummer takes us behind the scenes of their inception.

From “Disco Noël” to “This Ain’t No White Christmas,” here are ten wonderfully weird albums to get you in the holiday spirit.

From Janelle Monáe to Deafheaven, some notable career-defining first releases.

“Whatever happens, it’s going to sound cool!”

Listing the swan songs of those who are gone but certainly not forgotten.

Mikael Åkerfeldt on the Swedish prog metal group’s bilingual, “super-epic” new album.

A tribute to Nicky Wonder, cofounder of the Wondermints and guitarist for Brian Wilson, who died this week at age fifty-nine.

Drummer/vocalist Brann Dailor on the Led Zeppelin classic they recorded for their late manager, who passed away last year.

Named for Coyne’s 2015 art instillation of the same name, “King’s Mouth” features twelve interconnected songs with narration from The Clash’s Mick Jones.

Our FLOOD 9 cover conversation between ex–Pittsburgh Post-Gazette political cartoonist and an irreverent rock duo.

Out of place and underappreciated in 1968, “The Kinks Are the Village Green Preservation Society” has finally reached the status it deserves in the highest tier of rock——and Dave Davies sincerely appreciates that, late as it may be.

Jessie and Katey by Jeremy Fraga
Inside the world of the Lollapalooza poster artists.