FLOOD

In our video interview, Mendes talks about treasured moments from his storied life in music ahead of his special debuting on PBS on Sunday.

Orange County-based surfer bros employ radical kindness, an “aura of stoke,” and hilarious city council appearances to slyly promote grass-roots engagement.

Founder Aaron Huey and Executive Director Cleo Barnett on how the Seattle-based design lab harnesses the change-driving power of analog art in a digital age.

The Brazilian electronic composer’s debut under the moniker, “The World As We Know It,” arrives this Friday.

The bass player passed away yesterday at the age of 72.

Brian and Michael D’Addario on their new record and the sonic secrets at the heart of their ’70s obsession.

Here are ten musicians who owe an insurmountable debt to the late King (and Queen) of rock ’n’ roll.

We caught up with the band’s frontman Bobby Hecksher to get the latest on their ninth album and new video.

A previously unpublished interview with the post-punk guitar legend.

With Craft Recordings reissuing their first two LPs, the band’s drummer takes us behind the scenes of their inception.

From “Disco Noël” to “This Ain’t No White Christmas,” here are ten wonderfully weird albums to get you in the holiday spirit.

From Janelle Monáe to Deafheaven, some notable career-defining first releases.

“Whatever happens, it’s going to sound cool!”

Listing the swan songs of those who are gone but certainly not forgotten.

Mikael Åkerfeldt on the Swedish prog metal group’s bilingual, “super-epic” new album.

A tribute to Nicky Wonder, cofounder of the Wondermints and guitarist for Brian Wilson, who died this week at age fifty-nine. 

Drummer/vocalist Brann Dailor on the Led Zeppelin classic they recorded for their late manager, who passed away last year.

Named for Coyne’s 2015 art instillation of the same name, “King’s Mouth” features twelve interconnected songs with narration from The Clash’s Mick Jones.

Our FLOOD 9 cover conversation between ex–Pittsburgh Post-Gazette political cartoonist and an irreverent rock duo.

Out of place and underappreciated in 1968, “The Kinks Are the Village Green Preservation Society” has finally reached the status it deserves in the highest tier of rock——and Dave Davies sincerely appreciates that, late as it may be.