Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
hemlocke springs, the apple tree under the sea
Naomi Udu’s debut album soundtracks her journey of self-discovery through her own version of heaven and hell in a glitch-pop take on Paradise Lost and Dante’s Inferno.
August Ponthier, Everywhere Isn’t Texas
The alt-country songwriter makes the most out of their first full album and its rush of ideas that bask in a sense of independence—both from a repressive upbringing and major-label backing.
Remember Sports, The Refrigerator
The Philly indie rockers take stock of everything on the shelves with a revitalized fifth LP that feels like a lifetime of growth reaching a critical mass.
Dan Epstein
The vocalist discusses the message and making of his groundbreaking 2002 neo-soul debut.
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In our video interview, Mendes talks about treasured moments from his storied life in music ahead of his special debuting on PBS on Sunday.
San Clemente comedians Chad and JT — real names, Tom Allen and John Parr — took their (perhaps authentic) surfer dude characters to Huntington Beach last week offering free masks. Their video, both funny and eye-opening, went viral — attracting millions of views. (Photo courtesy of Tom Allen and John Parr)
Orange County-based surfer bros employ radical kindness, an “aura of stoke,” and hilarious city council appearances to slyly promote grass-roots engagement.
Founder Aaron Huey and Executive Director Cleo Barnett on how the Seattle-based design lab harnesses the change-driving power of analog art in a digital age.
The Brazilian electronic composer’s debut under the moniker, “The World As We Know It,” arrives this Friday.
The bass player passed away yesterday at the age of 72.
Brian and Michael D’Addario on their new record and the sonic secrets at the heart of their ’70s obsession.
Here are ten musicians who owe an insurmountable debt to the late King (and Queen) of rock ’n’ roll.
We caught up with the band’s frontman Bobby Hecksher to get the latest on their ninth album and new video.
A previously unpublished interview with the post-punk guitar legend.
With Craft Recordings reissuing their first two LPs, the band’s drummer takes us behind the scenes of their inception.
From “Disco Noël” to “This Ain’t No White Christmas,” here are ten wonderfully weird albums to get you in the holiday spirit.
From Janelle Monáe to Deafheaven, some notable career-defining first releases.
“Whatever happens, it’s going to sound cool!”
Listing the swan songs of those who are gone but certainly not forgotten.
Mikael Åkerfeldt on the Swedish prog metal group’s bilingual, “super-epic” new album.
A tribute to Nicky Wonder, cofounder of the Wondermints and guitarist for Brian Wilson, who died this week at age fifty-nine.
Drummer/vocalist Brann Dailor on the Led Zeppelin classic they recorded for their late manager, who passed away last year.
Named for Coyne’s 2015 art instillation of the same name, “King’s Mouth” features twelve interconnected songs with narration from The Clash’s Mick Jones.
Our FLOOD 9 cover conversation between ex–Pittsburgh Post-Gazette political cartoonist and an irreverent rock duo.
