Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Empress Of, Dream House
On a prismatic album about reconstruction and fulfillment, the Honduran-American songwriter embodies pure-hearted conviction to remind us home is where the heart is.
Emma Ruth Rundle, These Killing Times
Capturing the existential uncertainty and anguish of being alive right now, each of the eight tracks on the Portland-based songwriter’s new record feels like some kind of séance.
Slow Pulp, Melodie
The Wisconsin indie rockers have created something more cohesive, polished, and cathartic on their third LP, an exploration of loss and change.
Devon Chodzin
With pristine pop, bold rock, and a revitalized love for performance, the New York group’s third LP succeeds in bridging their priorly variegated output.
The Irish neoclassical composer paints in grayscale on her third solo album, her dirges often feeling dark or lamentable while at other times frank, vulnerable, or even loving.
The largely self-produced album marks Groves’ first full-length since her 2009 self-titled under the name Blue Roses.
With the help of collaborator Madeline Johnston of Midwife, Jensen Keller’s pensive slowcore project produces a hypnotizing post-rock experience with a hint of outlaw country.
Named for her pandemic puppy, the record marks Hannah van Loon’s first release since 2018.
Zack James unpacks the nuanced feelings behind each track on the band’s innovative alt-country album.
