Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Sierra Spirit, Rodeo Clown
On her latest EP, the Native songwriter blends personal and ancestral histories with soft-plucked steel string and powwow drumming to create a shimmering portrait of her heritage.
Warning, Rituals of Shame
The pummeling hypnotism of the doom-metal band’s first new material in 20 years still feels perfectly matched to Patrick Walker’s pained howls and Vantablack-hued emotions.
Styrofoam Winos, Any River
The Nashville group’s country-leaning third album is full of nuance, from the sheer array of instrumentation to its affective emotional dynamics.
Devon Chodzin
With pristine pop, bold rock, and a revitalized love for performance, the New York group’s third LP succeeds in bridging their priorly variegated output.
The Irish neoclassical composer paints in grayscale on her third solo album, her dirges often feeling dark or lamentable while at other times frank, vulnerable, or even loving.
The largely self-produced album marks Groves’ first full-length since her 2009 self-titled under the name Blue Roses.
With the help of collaborator Madeline Johnston of Midwife, Jensen Keller’s pensive slowcore project produces a hypnotizing post-rock experience with a hint of outlaw country.
Named for her pandemic puppy, the record marks Hannah van Loon’s first release since 2018.
Zack James unpacks the nuanced feelings behind each track on the band’s innovative alt-country album.
