With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
The Cure, Songs of a Lost World
The lyrical doom and gloom that matches the music’s slowed, metallic, ethereal ambience on the band’s first record in 16 years focuses very pointedly on true death.
Planes Mistaken for Stars, Do You Still Love Me?
The Colorado heavy rockers’ fifth and final record exhibits their broadest sense of appeal, ranging from aggressive noise rock to catchy post-hardcore hooks.
Leaving Time, Angel in the Sand
At various turns haunting, alluring, catchy, and confident, the Jacksonville shoegazers’ well-considered debut introduces the band with aplomb.
Erin Hickey
Rick Famuyiwa’s music-fueled indie drug comedy hits all the right notes.
Season three finds the Netflix original ditching the daytime TV melodrama and finally hitting its stride.
Marvel’s “Avengers: Age of Ultron” entertains, but stays the familiar course set by the unstoppable MCU.
Netflix’s “Daredevil” series takes from the best of the character’s comic book canon, featuring fantastic performances by Charlie Cox and Vincent D’Onofrio, for Marvel’s darkest offering yet.
Nick Cave, Lucinda Williams, Van Dyke Parks, and others came together to celebrate Ginsberg’s legacy and raise funds for the David Lynch Foundation.
The Zellner brothers’ darkly funny Coen “tribute” plays with truth and fiction and strikes gold.