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With the late New Hollywood provocateur’s films populating the Criterion Channel’s April lineup, we investigate the inexhaustible theme that ties The Exorcist and Sorcerer to Cruising and Jade.

Inexplicably and wonderfully re-released in 4K by Kino Lorber, the 1990 family comedy (and dramatic role change for its star) is endlessly charming entertainment.

Far from a return to form, the HBO series’ fourth season still lives up to the expectations set by its inexplicable first.

Under the guise of disposable Netflix entertainment, the director’s latest film takes the trashy plot aspect of his career and slits it belly-open to show us what’s inside.

The tragic undertones of Brian De Palma’s 1976 adaptation of Stephen King’s debut horror novel are anchored by a staggering performance by the late Piper Laurie.

With FOX’s cult-classic sci-fi series debuting three decades ago this weekend, we look back at how its tension and technique felt ahead of its time for a mainstream TV audience.

As moviegoers today are smothered with an endless torrent of computer-spawned apocalyptic action, something this intimately human is a breath of fresh air.

Mission: Impossible – Dead Reckoning Part One reminds us which movie stars Cruise feels most descendent from: Buster Keaton, Charlie Chaplin, and Jackie Chan.

More scandalous than a flushing toilet, Richard Franklin’s intelligently written 1983 sequel to the Hitchcock horror classic never succumbs to the clichés its forebear established.

Eulogizing Bill Hader’s black comedy series, one of the most achingly human shows of the post-Sopranos era.

Despite the occasional flash of creativity, the latest installment in the Evil Dead franchise is a drab and self-serious outlier within Sam Raimi and Bruce Campbell’s eccentric series.

The character actor with memorable roles in Saving Private Ryan, Natural Born Killers, and Heat passed away last week at 61.

Darren Aronofsky’s often-unpleasant adaptation of Samuel D. Hunter’s play is buoyed only by a beautifully empathetic performance by Brendan Fraser.