With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
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Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
12
The Los Angeles Issue
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Reviews
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Saint Etienne, The Night
Over 30 years after their debut, the Vaseline-lensed electro-pop trio still titillates without any consideration of boundaries as they continue their recent shift toward spectral-sounding gravitas.
Daft Punk, Discovery [Interstella 5555 Edition]
Reissued in honor of its complementary anime film’s 20th anniversary, the French house duo’s breakout LP feels like a time capsule for a brief period of pre-9/11 optimism.
The Coward Brothers, The Coward Brothers
Inspired by Christopher Guest’s recent radio play reviving Elvis Costello and T Bone Burnett’s 1985 fictional band, this playful debut album proves that this inside joke still has legs.
Katrina Nattress
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Ain’t No Mountain High Enough: How Sleigh Bells’ Alexis Krauss Balances a Life on the Road and a Life in the Wilderness
When she’s not making music, Krauss is climbing crags around the world.
April 24, 2019
FIDLAR Experimented With New Sounds on “Almost Free” Because They Got Fuckin’ Bored
The West Coast punks have reached a new level of restlessness on their third album and most interesting collection of songs to date.
January 14, 2019
Jungle, 2018 by Charlie Di Placido
Getting Reoriented to Jungle
With festival season in full swing, the UK electro-funk group prepare for the release of their second, more personal LP.
September 07, 2018
Death Cab for Cutie Are Summoning the Past to Move Toward the Future
With the band now over twenty years old, Ben Gibbard is rethinking what Death Cab means, for him and for you.
August 15, 2018
Arcade Fire Channels Their Inner Absurdist in “Chemistry” Video
We talk with Win Butler about the new Ray Tintori–directed video, and go behind the scenes of the track’s recording in an exclusive in-studio live clip.
June 11, 2018
Hop Along Make Contact with the Outside World
Frances Quinlan’s decreasingly solo project shifts toward total collaboration on their third album, “Bark Your Head Off, Dog.”
May 21, 2018
The Joyously Sad World of Anna Burch’s Bummer Pop
The Detroit-based singer/songwriter juxtaposes buoyant instrumentation with heavy subject matter on her solo debut, “Quit the Curse.”
February 15, 2018
In Conversation
In Conversation: Alec Ounsworth of Clap Your Hands Say Yeah Talks “Some Loud Thunder,” Ten Years Later
The experimental-indie-rock maestro has a special place in his heart for the band’s sophomore album, even if its initial success was subdued by a well-received debut record and music critic snobbery.
November 21, 2017
photo by Alex John Beck
Rostam Basks in the “Half-Light”
After leaving Vampire Weekend, collaborating with Hamilton Leithauser, and producing just about all of your favorite pop stars, the LA-based musician is ready for his moment in the sun.
September 05, 2017
Film + TV
She Said, She Said: Who Deserves the Iron Throne, Daenerys Targaryen or Jon Snow?
Prior to the debut of the seventh season of “Game of Thrones,” two of our writers square off using the preferred forum of pop-culture enthusiasts everywhere: Slack.
July 13, 2017
