Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Various artists, Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers
These unheard tracks from Dirty Projectors, Daniel Lopatin, and more are hushed and raw, all crafted with the idea of evoking a sense of home to highlight those whose own are at risk.
HEALTH, Conflict DLC
The noise-rockers’ sixth LP is a full-on rush of nihilistic energy, a shattered disco ball serving as the perfect encapsulation of a world decimated by capitalistic greed at the expense of humanity.
Fucked Up, Year of the Goat
Made up of two nearly half-hour tracks, the hardcore experimentalists’ latest is artistically commendable and consistently intriguing, even if it tends to test the listener’s patience.
Katrina Nattress
When she’s not making music, Krauss is climbing crags around the world.
The West Coast punks have reached a new level of restlessness on their third album and most interesting collection of songs to date.
Jungle, 2018 by Charlie Di Placido
With festival season in full swing, the UK electro-funk group prepare for the release of their second, more personal LP.
With the band now over twenty years old, Ben Gibbard is rethinking what Death Cab means, for him and for you.
We talk with Win Butler about the new Ray Tintori–directed video, and go behind the scenes of the track’s recording in an exclusive in-studio live clip.
Frances Quinlan’s decreasingly solo project shifts toward total collaboration on their third album, “Bark Your Head Off, Dog.”
The Detroit-based singer/songwriter juxtaposes buoyant instrumentation with heavy subject matter on her solo debut, “Quit the Curse.”
The experimental-indie-rock maestro has a special place in his heart for the band’s sophomore album, even if its initial success was subdued by a well-received debut record and music critic snobbery.
photo by Alex John Beck
After leaving Vampire Weekend, collaborating with Hamilton Leithauser, and producing just about all of your favorite pop stars, the LA-based musician is ready for his moment in the sun.
Prior to the debut of the seventh season of “Game of Thrones,” two of our writers square off using the preferred forum of pop-culture enthusiasts everywhere: Slack.
