Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Reviews
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The Nude Party, Look Who’s Back
The seven-piece rockers’ latest record serves as a sonic wayback machine to a moment when rock ’n’ roll was nothing more than a good time.
Colossal Rains, Feral Sorrow
The Blacklisted offshoot’s debut album embraces the joy of hardcore while dipping into something doomier with haunting production that eschews bright and clean sounds.
Beverly Glenn-Copeland, Laughter in Summer
The emotional new collection from the 82-year-old composer/vocalist is full of sedative new-age sounds and smartly executed art-pop that skews toward the pastoral and elegiac.
Katrina Nattress
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Ain’t No Mountain High Enough: How Sleigh Bells’ Alexis Krauss Balances a Life on the Road and a Life in the Wilderness
When she’s not making music, Krauss is climbing crags around the world.
April 24, 2019
FIDLAR Experimented With New Sounds on “Almost Free” Because They Got Fuckin’ Bored
The West Coast punks have reached a new level of restlessness on their third album and most interesting collection of songs to date.
January 14, 2019
Jungle, 2018 by Charlie Di Placido
Getting Reoriented to Jungle
With festival season in full swing, the UK electro-funk group prepare for the release of their second, more personal LP.
September 07, 2018
Death Cab for Cutie Are Summoning the Past to Move Toward the Future
With the band now over twenty years old, Ben Gibbard is rethinking what Death Cab means, for him and for you.
August 15, 2018
Arcade Fire Channels Their Inner Absurdist in “Chemistry” Video
We talk with Win Butler about the new Ray Tintori–directed video, and go behind the scenes of the track’s recording in an exclusive in-studio live clip.
June 11, 2018
Hop Along Make Contact with the Outside World
Frances Quinlan’s decreasingly solo project shifts toward total collaboration on their third album, “Bark Your Head Off, Dog.”
May 21, 2018
The Joyously Sad World of Anna Burch’s Bummer Pop
The Detroit-based singer/songwriter juxtaposes buoyant instrumentation with heavy subject matter on her solo debut, “Quit the Curse.”
February 15, 2018
In Conversation
In Conversation: Alec Ounsworth of Clap Your Hands Say Yeah Talks “Some Loud Thunder,” Ten Years Later
The experimental-indie-rock maestro has a special place in his heart for the band’s sophomore album, even if its initial success was subdued by a well-received debut record and music critic snobbery.
November 21, 2017
photo by Alex John Beck
Rostam Basks in the “Half-Light”
After leaving Vampire Weekend, collaborating with Hamilton Leithauser, and producing just about all of your favorite pop stars, the LA-based musician is ready for his moment in the sun.
September 05, 2017
Film + TV
She Said, She Said: Who Deserves the Iron Throne, Daenerys Targaryen or Jon Snow?
Prior to the debut of the seventh season of “Game of Thrones,” two of our writers square off using the preferred forum of pop-culture enthusiasts everywhere: Slack.
July 13, 2017
