Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Bleachers, Everyone for Ten Minutes
The bigness that Jack Antonoff holds on his band’s latest album is dedicated to the human spirit and the hope of something better—and rockier—for our future.
Lowertown, Ugly Duckling Union
The NYC duo return to their DIY roots on their creatively unbridled second LP, turning a highly unusual concept into something rather heartfelt and wonkily majestic.
Hammock, The Second Coming Was a Moonrise
The Nashville veterans blend the understated melancholia of dream pop with the more dramatic scale of post-rock on their latest album with a nice push-and-pull effect.
Kim March
You have the N.A.S.A. producer’s blessing to make babies to his latest single.
In her ACL debut, Janelle caps her landmark year with a cut from “Electric Lady.”
The Los Angeles–based chanteuse—whose debut EP will be out soon via Republic Records—recognizes that sometimes, love hurts.
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Taking a step back from his decade-spanning work with The Whigs, the songwriter unleashes his first solo album via New West Records.
It’s not quite “Smells Like Teen Spirit,” but the new video sees the UK pop duo transform in an elementary setting.
Along with the clip, the indie mainstays offer up a new set of February US dates.
Their latest single precedes their eighth record, Darker Days, due out next week.
