Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Boards of Canada, Inferno
The Scottish duo’s first album in 13 years is their most evocative yet, presenting a series of down-tuned tones and dark chordal scores rippling with cryptic samples and robo-voice blips.
Paul McCartney, The Boys of Dungeon Lane
On his 20th album, the octogenarian pop-rock architect builds a time machine out of scuffed acoustic guitars, warm tape hiss, and the kind of indelible melodies that cast a long shadow.
Iceage, For Love of Grace & the Hereafter
By returning to the rustic environment that birthed their mid-career peak, the Danish post-punks rekindle their core artistic flame with a masterclass in controlled chaos.
Leah Johnson
Boasting lush electronic soundscapes and complex themes of modern dystopia, the Hull quartet’s third album feels more nuanced than their prior indie-rock discography.
Ahead of their reunion tour, the cult indie-pop band resurrects lost classics from the bittersweet era of nostalgia that encircled their eponymous 2009 debut.
Recorded direct-to-acetate over the summer at Jack White’s Nashville label HQ, the NYC post-punk institution’s new live LP offers listeners a spot at the barricade.
The Swedish quartet bare their teeth on their third EP as they tear through five songs about frustration and resistance, aided by grungy production from Alex Farrar.
