“War Horse”? More like “Why Horse”!

At 15, the 007 origin story holds up as the best Daniel Craig Bond movie, as well as one of the high points of mid-’00s action flicks.

On its 15th anniversary, we revisit Sofia Coppola’s tale of decadence that favors vibes over morals and parable.

They’re doing you dirty, Diana.

It’s no “Josie and the Pussycats,” but the oft-quoted Ben Stiller film sure gave us a laugh when we needed one.

On its 10th anniversary, we revisit the junior-varsity bro comedy that was almost certainly inspired by an actual gruesome crime.

Revisiting the 2011 rom-com that’s little more than what the title suggests.

On its 25th anniversary, it’s time to revisit the Disney movie as the dark, twisted, weird-as-fuck animated musical for kids that it is.

Revisiting the 1999 himbo adventure classic about white people fucking around with ancient artifacts, which rocks.

Looking back on the tired horror-satire 10 years on, and exploring how it anticipates a post–Wes Craven revival of the series.

Looking back on a (sadly) bygone lit-adaptation teen movie tradition via a staple of the genre that probably couldn’t have been made today.

Reassessing the Sandler arc on his career-defining film’s 25th anniversary.

Revisiting the rom-com 20 years later, J.Lo playing a full-blooded Italian is far from the only detail we can’t get behind.

We come to the third best, cousincest “Godfather” before the day of its 30th anniversary.

Revisiting Joe Wright’s 2005 adaptation—with its too-attractive Elizabeth and .gif-able hand flex—fifteen years later.

A scientific investigation into the cinematic dad rock tune that would not die.

Looking back on fifteen years of Cameron Crowe’s half-baked rom-com and, of course, the “Manic Pixie Dream Girl” trope.

How three monumental events in 2020 have reshaped the race-conscious Disney favorite on its 20th anniversary.

Recently revived by Netflix, we revisit the original 1995 hangout movie for its 25th anniversary.

Revisiting the rom-com—which is problematic for reasons you might not expect—fifteen years later.

Less profound than personal, we revisit Miranda July’s debut feature 15 years later.

Love it or hate it, this “SNL” adaptation is unquestionably unpleasant to watch with your dad.

Re-re-revisiting the comedy classic in the era of quarantine.

The songwriter bridges the gap between character and audience in “Bridesmaids” and Hustlers.”

Noah Baumbach’s prickliest film turns ten.

Guess who’s coming to the foreign exchange program? A DCOM, 20 years later.

Fifteen years later, “Phantom” joins the tradition of bad movies that feel good to hate.