Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
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Bleachers, Everyone for Ten Minutes
The bigness that Jack Antonoff holds on his band’s latest album is dedicated to the human spirit and the hope of something better—and rockier—for our future.
Lowertown, Ugly Duckling Union
The NYC duo return to their DIY roots on their creatively unbridled second LP, turning a highly unusual concept into something rather heartfelt and wonkily majestic.
Hammock, The Second Coming Was a Moonrise
The Nashville veterans blend the understated melancholia of dream pop with the more dramatic scale of post-rock on their latest album with a nice push-and-pull effect.
Margaret Farrell
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Reviews
Parquet Courts, “Wide Awake!”
Parquet Courts are practicing a kind of self-care: the self-care of rebellion, of questioning, of not taking things at face value.
May 23, 2018
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Tinashe, “Joyride”
Tinashe is confident and proud, but at the end of thirty-six minutes there doesn’t seem to be a clear understanding of who she is.
April 25, 2018
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Frankie Cosmos, “Vessel”
A hodgepodge of contemplations on love at its best and worst.
April 13, 2018
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Dream Wife, “Dream Wife”
Over fortified vocal harmonies, punching rock drum beats, and growling guitars that ring like fire alarms, Dream Wife have conceived a pointed but fun debut.
February 09, 2018
