With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
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Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
12
The Los Angeles Issue
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Reviews
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Wavves, Spun
The LA band’s eighth LP eschews distortion in favor of a cleaner pop-punk sound that both spotlights Nathan Williams’ songwriting chops and dulls the project’s compelling eccentricities.
Skegss, Top Heavy
Clashing with expectations, the rowdy Australian duo dive into an older, deeper, more refined sound with this EP that positions them as stronger musicians and storytellers.
Mister Romantic, What’s Not to Love?
John C. Reilly’s latest role as a lonely vaudevillian singer of Great American Songbook standards sees him unwrap each melody and lyric without irony or snarky dispatch.
Margaret Farrell
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Reviews
Ross from Friends, “Family Portrait”
Ross from Friends’ debut indulges in humor and the minutiae of legacy, handling the details with care.
August 02, 2018
Reviews
The Internet, “Hive Mind”
“Hive Mind” solidifies The Internet’s sound as a newly formed molecule, sharing skills and attributes like electrons in a covalent bond.
July 25, 2018
Let’s Eat Grandma Are Wizards of an Everyday Reality
More playful than cannibalistic, Jenny Hollingworth and Rosa Walton want you to join them in the supermarket of their dreams.
July 03, 2018
Reviews
Parquet Courts, “Wide Awake!”
Parquet Courts are practicing a kind of self-care: the self-care of rebellion, of questioning, of not taking things at face value.
May 23, 2018
Reviews
Tinashe, “Joyride”
Tinashe is confident and proud, but at the end of thirty-six minutes there doesn’t seem to be a clear understanding of who she is.
April 25, 2018
Reviews
Frankie Cosmos, “Vessel”
A hodgepodge of contemplations on love at its best and worst.
April 13, 2018
Reviews
Dream Wife, “Dream Wife”
Over fortified vocal harmonies, punching rock drum beats, and growling guitars that ring like fire alarms, Dream Wife have conceived a pointed but fun debut.
February 09, 2018
