With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
Saint Etienne, The Night
Over 30 years after their debut, the Vaseline-lensed electro-pop trio still titillates without any consideration of boundaries as they continue their recent shift toward spectral-sounding gravitas.
Daft Punk, Discovery [Interstella 5555 Edition]
Reissued in honor of its complementary anime film’s 20th anniversary, the French house duo’s breakout LP feels like a time capsule for a brief period of pre-9/11 optimism.
The Coward Brothers, The Coward Brothers
Inspired by Christopher Guest’s recent radio play reviving Elvis Costello and T Bone Burnett’s 1985 fictional band, this playful debut album proves that this inside joke still has legs.
Matty Pywell
Dream-pop songwriter Amelia Murray returns seven years after her debut with a newfound confidence and a conscious effort to loudly reclaim her best years.
Phil Elverum decries genocide and gentrification while exploring more personal themes that once again unify his distorted lo-fi recordings as a cohesive testament to feeling insignificant.
Nearly a decade after his solo debut, the xx producer curates a host of guest vocalists and lucid messages regarding the communal power of raving until the early morning.
On their second LP, Mica Tenenbaum and Matthew Lewin get lost in an overly conceptual sci-fi cinematic narrative before ultimately revealing the project’s beating heart.
Kevin Krauter and Nina Pitchkites discuss how happenstance informed their debut album of boundaryless indie-pop.
Claire Cottrill goes all in on love on her third album, with slick, sophisticated, and richly detailed modern production fortifying the confidence and intimacy of her storytelling.
The Bikini Kill/Le Tigre vocalist discusses her new autobiography Rebel Girl and the feminist-punk movement’s lasting impact on mainstream pop.
The NYC-based songwriter shares 10 tracks that helped shape her debut album, which arrives this week via Tender Loving Empire.
Touching upon all the highs and lows of a relationship, the cult alt-R&B figure’s third record sees her leaning into directness, collaboration, and desire.
Samuel T. Herring discusses processing grief through songwriting on the group’s seventh LP People Who Aren’t There Anymore.
The Parquet Courts vocalist takes a back-to-basics approach on his second solo album while provoking the listener into deep thinking rather than laying down absolutes.
The electropop trailblazer’s 16th LP reignites her commitment to small reinventions in order to suit the modern pop landscape.
Inspired by experiences finding acceptance in London’s queer clubbing culture, the debut album from The xx’s co-vocalist is an expression of boundless joy.
Sadie Dupuis and Audrey Zee Whitesides share how Rabbit Rabbit, the band’s first record in five years, is grounded in community and dedicated to progress.
The LA-based songwriter’s debut album chronicles a search for a sense of place as Reid’s self-coined “mountain pop” gets ramped up to its most euphoric potential.
Dustin Payseur discusses how birth, death, and acceptance helped sculpt the group’s fifth LP.
The London-based dance-pop icon’s fifth album can be seen as a manifesto for following your own instinct toward highs both material and physical.
The sixth LP from the evolving punk trio charts the story of a band who have become a family ready to heal the wounds found in their past.
We connected with the songwriter in London to discuss her first headlining set in the UK and her transitory new LP Honey.
The Australian songwriter talks boundaries, touring, and Jesus Christ Superstar.