With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

The Black Keys, No Rain, No Flowers
The blues-rock duo sifts through wreckage in search of meaning and growth on their 13th album only to come up with answers that are every bit as pat and saccharine as the title suggests.

JID, God Does Like Ugly
After 15 years of writing and developing verses, the Dreamville rapper has become a master of the form on his fourth album as he finds resolution and comes to recognize his purpose.

Cory Hanson, I Love People
The Wand frontman’s fourth solo outing confronts American grift culture with hope and a communal spirit, as his backing players seem to prevent him from turning inward and catastrophizing.
Michael Duncan

On the Vancouver punks’ dynamic fourth album, growth is the name of the game.

Often built out of only one or two phrases, each of “Primitive”‘s tracks has something hypnotic at its core, reinforcing the adage that there is beauty in simplicity.

Guitarist/vocalist Hutch Harris’s wonderfully nasal tone and the band’s pessimistic Portland attitude models a perfect outlet for frantic frustrations and life’s bigger questions.

2016. HXLT self-titled cover (1200x)
It kind of makes you forget what G.O.O.D. music actually sounds like.

2016. Radiation City Synesthetica cover hi-res
“Synesthetica” lacks the overall drive, exploration, and charm that would make it radiant.