Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Iron & Wine, Hen’s Teeth
A heavier fraternal twin to 2024’s Light Verse, Sam Beam’s unlikely eighth album hums through the speakers like a quiet, sudden revelation.
Cootie Catcher, Something We All Got
The Toronto puzzle-pop quartet’s second record better integrates their impish tendencies; just like their origami namesake, the surprises unfold one after another.
Peaches, No Lube So Rude
Still stationed at the politicized meeting place of sexuality, queer iconography, feminism, and funk, there’s something sleekly hyperpop about the artist’s first album in over a decade.
Michael Duncan
On the Vancouver punks’ dynamic fourth album, growth is the name of the game.
Often built out of only one or two phrases, each of “Primitive”‘s tracks has something hypnotic at its core, reinforcing the adage that there is beauty in simplicity.
Guitarist/vocalist Hutch Harris’s wonderfully nasal tone and the band’s pessimistic Portland attitude models a perfect outlet for frantic frustrations and life’s bigger questions.
2016. HXLT self-titled cover (1200x)
It kind of makes you forget what G.O.O.D. music actually sounds like.
2016. Radiation City Synesthetica cover hi-res
“Synesthetica” lacks the overall drive, exploration, and charm that would make it radiant.
