Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Cut Worms, Transmitter
Produced by Jeff Tweedy, Max Clarke’s fourth album tampers down the luster of past records, grounding aspects of the indie-folk songwriter’s music that once seemed impossibly pristine.
Kim Gordon, Play Me
Fully embracing the trashy SoundCloud-era internet aesthetic as she raps, sings, and shreds over industrial clatter, this is the sound of an artist who’s still inspired by the cutting edge at 72.
The Notwist, News From Planet Zombie
This folksy, brassy new iteration of the German trio excels at melodies that yearn and churn with melancholy—yet still manages something celebratory.
Michael Duncan
On the Vancouver punks’ dynamic fourth album, growth is the name of the game.
Often built out of only one or two phrases, each of “Primitive”‘s tracks has something hypnotic at its core, reinforcing the adage that there is beauty in simplicity.
Guitarist/vocalist Hutch Harris’s wonderfully nasal tone and the band’s pessimistic Portland attitude models a perfect outlet for frantic frustrations and life’s bigger questions.
2016. HXLT self-titled cover (1200x)
It kind of makes you forget what G.O.O.D. music actually sounds like.
2016. Radiation City Synesthetica cover hi-res
“Synesthetica” lacks the overall drive, exploration, and charm that would make it radiant.
