Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Beverly Glenn-Copeland, Laughter in Summer
The emotional new collection from the 82-year-old composer/vocalist is full of sedative new-age sounds and smartly executed art-pop that skews toward the pastoral and elegiac.
MØL, Dreamcrush
The Danish group hones their tantalizing blend of shoegaze and black metal on their third album, balancing heartfelt passages suitable for airplay with all-out assaults.
Silversun Pickups, Tenterhooks
Largely eschewing the distortion-doused approach of their early material, the dreamy LA rockers’ seventh record is a cohesive body of work rather than a gumball machine for singles.
Mike LeSuer
Lindsey Radice’s third LP Songies lands August 18.
Hellie previously produced and co-wrote songs on Phoenix’s 2019 release River.
The single follows Cathedral Bells’ announcement of a set of West Coast tour dates, and will appear on the upcoming album from Beach Vacation.
The not-quite-cover arrives with a video that contemplates the important question: Do vampires celebrate birthdays?
Harper Simon’s multimedia project also prepares for special events this weekend at Printed Matter’s 2023 LA Art Book Fair and Zebulon.
The Ventura punks’ new “Screeching Weasel worship” tune arrives ahead of their album When the Band Breaks Up Again, dropping September 8 via SideOneDummy.
It’s the final single landing ahead of the ever-mutating Detroit collective’s new album Perfect Savior.
The track will come packaged with Kurt Vile’s take on another song by the Seattle rockers on October 27 via Suicide Squeeze.
Marshall Gallagher cites Catherine Wheel, White Reaper, Deftones, and more as influences as he takes us track by track through the LA shoegazers’ third LP.
The Phoenix-based songwriter’s sophomore record somebody in hell loves you arrives September 15 via Rude Records.
The Brooklyn-based art-punks land alongside Chad VanGaalen, Tough Age, Idle Ray, and more on the label compilation arriving August 25.
Chris Forsyth and Movietone’s Kate Wright join the band on the first single from their new LP New Earth Seed, arriving September 22 via Arrowhawk Records.
Their collaborative debut album Doubles will arrive September 22 via Orindal Records.
Domino, Blue Broderick’s follow up to last year’s Four Wheels and the Truth, lands August 18 via Bar/None.
The second single from BROODS’s Georgia Nott under the solo moniker arrives ahead of her debut EP Fish Bird Baby Boy, out October 6 via Luminelle Recordings.
Lutalo Jones’ new EP AGAIN is set to arrive August 25 via Winspear in the midst of touring alongside Katy Kirby and Claud.
Following their 2017 collaboration “Funk That,” the veteran producer and nu-disco duo reteamed for a cut on Nickodemus’ recent LP Soul & Science.
After sharing a dispatch from the studio last week, the songwriter has since revealed that new LP The Land Is Inhospitable and So Are We will arrive September 15 via Dead Oceans.
Denzel Curry
A shortened version of the track was released last week with an Omar Jones–directed visual.
The LA post-punks’ latest record Witness Marks arrives September 22 via God? Records, Ty Segall’s Drag City imprint.
