Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Courtney Barnett, Creature of Habit
Still flatliningly deadpan, the Australian songwriter uses the back-and-forth fear of the new as a start point for further depth-diving and confession on her fourth solo album.
The Twilight Sad, It’s the Long Goodbye
The sixth album from the Scottish proponents of existential angst is centered around the intertwining duality of death and life, fueled in turn by feelings of despair, disbelief, and defiance.
deary, Birding
Sounding like a band well into their second decade of existence, the London-based dream-pop trio stretch each song on their debut without ever letting them overstay their welcome.
Mike LeSuer
Julia Kugel and Scott Montoya, the husband-and-wife duo behind the free Long Beach event, share a handful of tracks from the artists taking the stage this weekend.
The single was originally intended for an Italians Do It Better comp.
On nostalgia, bygone sub-subgenres, and, ultimately, the increasingly fallible state of music archiving.
Natalie Lew’s dream-pop EP Stop at Nothing arrives this Friday via Luminelle Recordings.
Brittany Campbell and Candace Quarrels’ debut album Iridescence will arrive later this year.
Katie Munshaw shares how friendships, isolation, and expectations for adult life shaped the Ontario group’s latest project, out now via Royal Mountain Records.
The Quebecois nu-disco trio’s latest record Comme dans un penthouse arrives September 22 via Lisbon Lux Records.
Created by Kramer, the video recycles footage from Jean Renoir’s 1928 film The Little Match Girl.
The horror-B-movie visual arrives with news of the San Francisco post-punks’ new album Jumbo, landing October 13 via Rocks in Your Head Records and Time Room Records.
The London-based musician’s new EP MSG is out this Friday via Transgressive Records.
“Disenchanted” arrives ahead of the Scottish punks’ fifth record on October 27 via Ernest Jenning Recording Co. + Wish Fulfillment Press.
The song will appear on their debut album Vs. the Worm, arriving August 25 via What’s for Breakfast? Records.
The single arrives ahead of Javelin, his first indie-folk release since 2015’s Carrie & Lowell.
The cowpunks return with their second album since reforming in 2020 with Bitter End of a Sweet Night arriving on October 27 via In the Red Records.
Messages to God, the Melbourne-based songwriter’s debut for Kill Rock Stars, is out September 15.
Lindsey Radice’s third LP Songies lands August 18.
Hellie previously produced and co-wrote songs on Phoenix’s 2019 release River.
The single follows Cathedral Bells’ announcement of a set of West Coast tour dates, and will appear on the upcoming album from Beach Vacation.
The not-quite-cover arrives with a video that contemplates the important question: Do vampires celebrate birthdays?
Harper Simon’s multimedia project also prepares for special events this weekend at Printed Matter’s 2023 LA Art Book Fair and Zebulon.
