Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Telehealth, Green World Image
The Seattle band mashes up Millennial malaise with ’80s synthpunk and biting satire on a playful second LP that crowds out the more emotional elements with terminally online irony.
Nara’s Room, Tearless, thoughtless
The Brooklyn band bring more dimension to their sound on a magnetic second record that’s framed by a mix of analog technology and Y2K aesthetics.
Winston Hightower, 100 Acre Wood
The 14 songs featured on the Columbus native’s second album may be as short as the ones on its lo-fi predecessor, but they’re far more fleshed out with catchier and on-point rock music.
Mike LeSuer
From CHAI and CHAII to JayWood and Jay Wood, here are all the sets of artists we struggled to differentiate in 2023.
Out now via Spinning Top Records, the Australian electropop trio’s first LP since their 2020 debut is a cathartic post-pandemic return to the club.
The new track from the Lake Street Dive co-founder arrives with an animated video that certainly doesn’t help us not think about a polar bear.
Cartwheel, the no-longer-Minnesota-based songwriter’s sophomore album with the band, is out now via Third Man Records.
The Albuquerque group embraces ’80s stadium pop and glam metal on the track, while its visual pays homage to the 1987 film Broadcast News.
Soccer Mommy
Presented by Ground Control Touring and Noise for Now, the event will take place January 20 in LA, NYC, Chicago, Nashville, and Philly.
Wrapping up after its third season this past fall, the HBO docuseries provided an odd source of comfort in the post-pandemic world.
Chaos Takes the Wheel and I Am a Passenger, the second LP from the San Jose punks, is out now via Tiny Engines.
With their new LP dropping next week via Track Number Records, Andy Schiaffino shares a handful of shoegaze tones and ambient textures that steered their own songs’ direction.
The latest release from the Toronto folk-rock collective lands February 23 via Orindal Records in the US and Gold Day Recordings in the UK.
crawl__space, spark__space, and shine__space are all out now via Epitaph Records.
The Angeleno-by-way-of-Singaporean musician’s latest release is out today via Nettwerk.
The Underachievers emcee will be teaming up with the Nepalese lo-fi producer for a full-length collaboration in 2024.
The new music project from Curtis Everett Pawley, one half of cult film podcast The Ion Pack, releases its debut EP I Would Do Anything for Love tomorrow.
The track will appear on Shimmy-Disc’s forthcoming ALIVE in NEW YORK CITY LP featuring a full live performance recorded by Kramer in addition to a new set of demos.
The track marks Jamie Sierota’s first new track since releasing his debut album Do Ya? earlier this year.
Bartees Strange collaborator Eliza Vera’s sophomore EP Welcome to the Club lands January 18 via Tone Tree.
The Canadian rockers share 10 songs that got them through their respective heartbreaks which happened to coincide with the release of their latest LP, Blame My Ex, in September.
The Oslo-based project’s latest EP Tøyen, ‘13 will be arriving in February via Sound as Language, with their collected EPs packaged together through Tiny Engines.
The Nashville-based songwriter announces that her new LP Escape Artist will arrive February 16.
