With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Rhys Langston, Pale Black Negative
The LA-based artist’s most comprehensive foray into genre abolition yet is a whirlwind of artistic exploration that sees the songwriter coloring well outside of hip-hop’s lines.

Subsonic Eye, Singapore Dreaming
The Singaporean indie rockers’ jangly fifth record proselytizes the beauty of the natural world, providing hope with deliriously catchy tunes that channel ’90s groups like Superchunk and GBV.

King Gizzard & the Lizard Wizard, Phantom Island
The Australian band’s growing comfort performing with orchestra musicians results in a bolder, brighter, more engaging, and more direct album than its predecessor.
Mike LeSuer

Ahead of Mirror, Reflect’s May 10 release via Winspear, Amy Oelsner shares a playful duet with Glenn Myers as the project’s lead single.

Auxiliary Foxing member Austin McCutchen’s new project will release their debut EP Small Favor on April 19.

The ambient Americana duo’s Dan Auerbach–produced record Sonido Cósmico arrives June 14 via Easy Eye Sound.

From new wave of British heavy metal bands to Nile Rodgers, the Philly-based garage rockers play some of their own favorites that inspired their new record. Besides Thin Lizzy.

Dave DiAngelis’ latest collection of songs, A public place, lands April 12 via Mtn Laurel Recording Co.

Valerie Caputo’s new collection of digital-age techno lands May 17 via Music Website.

The Philly slowcore group’s second album titled (deep breath) The Iliad and The Odyssey and The Goalie’s Anxiety at the Penalty Kick (exhale) arrives April 25 via Count Your Lucky Stars.

Bullhead, Austin Feinstein’s first album under the moniker as a solo artist, is out now via Danger Collective.

His new album Lurlene is out April 11.

The Philly shoegazers return with their first new single since releasing their self-titled EP and Born Losers Records debut last year.

Multimedia artist JJ Weihl’s debut album for RVNG arrives this week.

The visual compiles footage of the band on their month-long trek across the US in support of last October’s I Promise EP alongside The Front Bottoms and Pronoun.

Per a newly issued statement, leaving the band wasn’t Lenchantin’s decision.

Jump Rope, the power-pop group’s first new record in six years, arrives May 31.

Lexi Vega shares how Frou Frou, Baths, Charli XCX, and more informed her refreshed new EP.

The Toronto sextet describe the new album—which arrives May 3—as “a hike along Grief Mountain with scenic lookouts.”

The Australian jangle-pop duo’s seventh album—aptly titled Good Morning Seven—arrives March 22 via Polyvinyl, with a tour alongside Waxahatchee to follow.

The Philly-based group’s fourth full-length expands on their sound in both directions, capturing some of their most explosive mad-dog punk and their most nuanced pop songwriting to date.

Co-songwriters Joseph Therriault and Vincent Ford take us track by track through the project, which is out now via Topshelf Records.

It’s the final track on the Indian synth composer’s new LP Delight, which lands March 29 via Leaving Records.