Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Paul McCartney, The Boys of Dungeon Lane
On his 20th album, the octogenarian pop-rock architect builds a time machine out of scuffed acoustic guitars, warm tape hiss, and the kind of indelible melodies that cast a long shadow.
Iceage, For Love of Grace & the Hereafter
By returning to the rustic environment that birthed their mid-career peak, the Danish post-punks rekindle their core artistic flame with a masterclass in controlled chaos.
Sparta, Cut a Silhouette
Produced by Jawbox’s J. Robbins and featuring songs written by MCR’s Frank Iero, the post-hardcore band’s third album since reuniting sees them firing on all cylinders from start to end.
Mike LeSuer
Nigerian musician and visual artist Zina Saro-Wiwa sees apocalypse as a celebration of the end of a cycle in the video for the new track.
The LA-based trio shares how Duster, SASAMI, SOPHIE, and more influenced the dream-pop sound of their debut EP.
Out September 5, the self-released project notably features a cover of Deftones’ “Change (In the House of Flies)” recorded with her father.
The latest from the Chicago-based songwriter features backing vocals from She Keeps Bees’ Jess Larrabee.
It’s the third track to be released ahead of the Halifax-based group’s fifth album, out October 18 via Paradise of Bachelors and Paper Bag Records.
With Yoni Wolf’s seventh album under the moniker landing this week, we’re going deep on the guest spots, remixes, covers, and other rarities that have padded out his 25-year career.
The Austin noise-rap trio share an appropriately chaotic visual for their latest single.
The Seattle rockers announce that their new LP Move Too Slow will arrive September 6 via Sunday Drive Records as they share two new singles.
The new recording of the track originally from the London post-punks’ 2005 debut will appear on their new retrospective boxset And Yes, This Is My Singing Voice!.
The SoCal post-hardcore band’s new album Shapeshift is out September 3.
Stuart McLamb (of The Love Language) and Charles Crossingham share how everyone from Sheryl Crow to Counting Crows influenced their country-tinged debut album.
LA-based songwriter Remy Jean teases her debut album with her first new music in two years.
Caleb Cordes’ fourth LP I Sing is slated to arrive this Friday via Keeled Scales.
The loose single marks the band’s first release since 2021’s timetetheredtogether, as well as the first recording with a new lineup.
The improvisational instrumental duo’s first full-length collaboration officially drops tomorrow.
Drag queen Wet Mess stars in the latest clip landing ahead of songwriter Xander Duell’s self-titled debut album, out August 23.
Slated for an October 4 release via Music Website, the new record features production from Wild Nothing’s Jack Tatum and Pearly Drops.
The Atlanta-based new wave group goes indie-pop on the latest single from their debut album Triggered, out August 16 via Kill Rock Stars.
The NYC group’s forthcoming Speedboat EP is planned for an August release via Kanine Records.
The LA trio are also hitting the road this week for a month-long tour playing alongside The Marías.
