Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Telehealth, Green World Image
The Seattle band mashes up Millennial malaise with ’80s synthpunk and biting satire on a playful second LP that crowds out the more emotional elements with terminally online irony.
Nara’s Room, Tearless, thoughtless
The Brooklyn band bring more dimension to their sound on a magnetic second record that’s framed by a mix of analog technology and Y2K aesthetics.
Winston Hightower, 100 Acre Wood
The 14 songs featured on the Columbus native’s second album may be as short as the ones on its lo-fi predecessor, but they’re far more fleshed out with catchier and on-point rock music.
Mike LeSuer
The Montreal quartet’s debut album Some Kind of Heaven arrives September 6 via Mint Records.
The Brooklyn trio’s new grungegaze LP Glassy star arrives October 18 via Mtn Laurel Recordings.
With the soundtrack out now on vinyl, the composer shares how each recording aims to reflect the movement on stage.
The Britney-meets-NIN track arrives with a Blair Witch-meets-Midsommar visual ahead of the songwriter’s latest album, out October 4 via Get Better Records.
Following her 2021 EP Tether, the Dallas-based gothic-rock songwriter’s debut LP officially drops tomorrow.
The Oakland-based synth-punk ensemble’s second album Pass the Loofah will arrive on October 25 via Trouble in Mind.
From dance and film to superstition and the uncanny, the Austin-based quartet share the ideas that fueled their new dance-punk LP.
The Boston dream-pop collective’s latest album A Time for Everything arrives September 13 via Better Company Records.
Dan Knishkowy reveals that his new album of the same name will arrive September 27 via Ruination Records.
Retitled “Out in the Country,” the track arrives with a visual of Rose and Video Age’s Ross Farbe performing live in Nashville.
The LP released under the moniker Michael & the Mighty Midnight Revival is out now as a free download.
Waiting on Time to Fly, John Klein’s third album under the slacker-folk moniker, is out November 15 via Born Losers.
Dylan Balliett’s follow-up to last August’s Bury the Dead arrives October 4.
The Seattle-based shoegazers are also sharing that their debut album I Wish I Was a Rat will be out October 18 via Danger Collective.
High Roller, the debut solo record from the Finom co-leader, arrives August 30 via Ruination Records.
Nigerian musician and visual artist Zina Saro-Wiwa sees apocalypse as a celebration of the end of a cycle in the video for the new track.
The LA-based trio shares how Duster, SASAMI, SOPHIE, and more influenced the dream-pop sound of their debut EP.
Out September 5, the self-released project notably features a cover of Deftones’ “Change (In the House of Flies)” recorded with her father.
The latest from the Chicago-based songwriter features backing vocals from She Keeps Bees’ Jess Larrabee.
It’s the third track to be released ahead of the Halifax-based group’s fifth album, out October 18 via Paradise of Bachelors and Paper Bag Records.
