Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Weezer, Weezer [Gold Album]
The band’s seventh color-coded self-titled release presents their signature nerdish power-pop at its most brutal—all schlocky riffs, thundering beats, and scuzzy guitar tones.
Brandon Flowers, Thrasher
The Killers frontman’s third solo album achieves a past-perfect C&W sound and earnest, emotional delivery when it isn’t weighed down by Springsteen homage.
Lambchop, Punching the Clown
Kurt Wagner’s project returns to its most unvarnished form on his 17th album as he mourns the eerie grace of America’s flyover country through haunting, unadorned arrangements.
Mike LeSuer
After seven years as a band, vocalist Sophia Skye and Starcrawler guitarist Henri Cash will unveil their first collection of rock and Americana tunes, Just a Stranger, on February 21.
The Austin-based multihyphenate will pick up where he left off on 2022’s Cry Havoc! EP later this year with his new album We Do Not Fear Ruins.
It’s the first track the trio have shared since inking a deal with indie hub drink sum wtr, home to releases from Kari Faux, Aja Monet, Gareth Donkin, and more.
The composer’s soundtrack to Drew Hancock’s new movie arrives January 24 via WaterTower Music, a week before the film’s January 31 wide release.
David Lynch at home, Hollywood, Calif., as he prepared for the release of his second album as a recording artist, “The Big Dream.”
Lynch’s family announced this morning that the artist and filmmaker has passed away at the age of 78.
The dark-folk songwriter’s first release since 2023’s No Masters in Paradise LP officially drops tomorrow.
With the pop-rapper’s sophomore album dropping this week via Get Better Records, she shares how Janet Jackson, Tears for Fears, and the Mario Kart OST inspired the project.
Lullabies for Dogs, the folk-punks’ first album in over five years, will drop March 7 via Wax Bodega.
Norwegian synth-pop songwriter Nora Schjelderup will release her second album, Dance Therapy, on March 21 via Mute Records.
The collection, aptly titled The Villagers Companion, arrives February 21 and will also feature covers of John Prine and Mecca Normal tracks.
Ironically, the Vancouver collective feels rejuvenated on the first track to be shared from their latest record, The Open Up.
On January 24, Gary Hustwit’s regenerative Eno documentary will be livestreamed in several iterations along with Q&As with the film’s crew and other special guests.
Eternal Reverie, the producer’s first new LP since 2020, arrives March 7 via her own Young Art Records.
The seriously unserious UK rockers’ third album Boys These Days arrives May 23.
Chrystia Cabral’s newly announced album of the same name drops March 28 via Sacred Bones.
The experimental rap project shares a new single called “Change the Channel” ahead of the LP’s March 14 release via Sub Pop.
The year’s most discourse-worthy experimental metal records, according to our Senior Editor.
The Animal Collective co-founder’s first solo album in six years, Sinister Grift, is out February 28 via Domino.
The year’s most discourse-worthy records, according to our Senior Editor.
The doomy post-punk band’s fourth album Dweller lands January 10 via Three One G Records.
