Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Julianna Barwick & Mary Lattimore, Tragic Magic
Pairing early modern harp and vintage analog synths, the duo cope with disaster by forging soothing atmospheric compositions fueled by their unique creative connection.
Westside Cowboy, So Much Country ’Till We Get There
The buzzy Manchester group’s new EP doubles down on affability with five tracks of straightforward indie rock coursing with charm and easy-going, edgeless quirks.
Xiu Xiu, Xiu Mutha Fuckin’ Xiu: Vol. 1
These covers capture the broad spectrum of artists who’ve inspired Jamie Stewart over the past 24 years—and prove that Xiu Xiu is able to even make Robyn sound unwaveringly dark.
Mike LeSuer
Immediately after securing her first win from the Recording Academy last night, the emcee shares a fiery new single that essentially doubles as an acceptance speech.
Lead single “Orchestra” lands ahead of Loose Talk’s March 28 release date.
Out tomorrow via Pearson’s own Three One G Records, the book details The Locust frontman’s travails working a seedy, minimum-wage gig in order to keep his various music outlets afloat.
The songwriter’s second album Nothing Sticks is scheduled to arrive on March 21 via Get Better Records.
The single, as its title suggests, precedes a momentous year for the artist.
The duo tease new music while also announcing a North American tour kicking off in May.
The prolific electronic artist announces that her latest solo album, Gush, will be out August 22 via Nettwerk.
The annual event is scheduled for May 10 at Pasadena’s Brookside at the Rose Bowl.
“Magnolia” signals a shift back to black metal after the group’s foray into shoegaze on 2021’s Infinite Granite.
Johnathan Bates’ fifth album ADONAI will be out February 28, with the instrumental track serving as the latest single.
A City Drowned in God’s Black Tears, the experimental rap duo’s follow-up to 2022’s collaborative King Cobra, will drop on April 4.
Although the band’s upcoming sold-out tour will celebrate 10 years of their breakout album Strange Trails, the track introduces fans to an interesting new chapter.
The 88-track Love Los Angeles collection aims to benefit Mutual Aid LA Network.
Out February 7, the collection also features covers from Current Joys, Brad Stank, Far Caspian, and more.
The Vermont-based songwriter announces that her Lame-O Records debut Trash Mountain will be out April 4.
Following a pair of slacker-punk EPs, the Australian group will share Greedy & gorgeous on March 14 via Little Lunch Records.
After seven years as a band, vocalist Sophia Skye and Starcrawler guitarist Henri Cash will unveil their first collection of rock and Americana tunes, Just a Stranger, on February 21.
The Austin-based multihyphenate will pick up where he left off on 2022’s Cry Havoc! EP later this year with his new album We Do Not Fear Ruins.
It’s the first track the trio have shared since inking a deal with indie hub drink sum wtr, home to releases from Kari Faux, Aja Monet, Gareth Donkin, and more.
The composer’s soundtrack to Drew Hancock’s new movie arrives January 24 via WaterTower Music, a week before the film’s January 31 wide release.
