Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Various artists, HELP(2)
The sequel to the Britpop-era War Child comp couldn’t have arrived at a better time, with its guest-filled track list embodying the charity’s mission of healing in the midst of global violence.
Shabaka, Of the Earth
The spiritual jazz musician’s third solo album rejects the distant cosmos and murky recesses of history in favor of the strange melodies and wondrous rhythms of human existence.
Harry Styles, Kiss All the Time. Disco, Occasionally.
The sequel to the 2022 Album of the Year GRAMMY winner is another radical genre shape-shift for a pop star who refuses to settle for just another EDM album.
Mike LeSuer
Over a decade since their last collaboration, the Danish artists’ new collection All Worlds arrives next month via Sacred Bones.
The songwriter is joined by a cast of “hot mascs” led by Cara Delevigne, Towa Bird, and MUNA’s Naomi McPherson.
Longtime friends Cooper B. Handy (a.k.a. LUCY) and Salvadore McNamara will release their new album 20247 on March 7 via Danger Collective.
The songwriter’s reflective 14th album is out now.
The Leeds post-punk octet’s latest album, Horror, will arrive on April 4 via Fire Records.
The latest track from Chad Doriocourt and Rachel Rascoe was inspired by out-of-press CDs from the ’90s and ’00s.
The upbeat pop single teases a new album from Nashville-based songwriter Ian Ferguson, likely arriving later this year.
Immediately after securing her first win from the Recording Academy last night, the emcee shares a fiery new single that essentially doubles as an acceptance speech.
Lead single “Orchestra” lands ahead of Loose Talk’s March 28 release date.
Out tomorrow via Pearson’s own Three One G Records, the book details The Locust frontman’s travails working a seedy, minimum-wage gig in order to keep his various music outlets afloat.
The songwriter’s second album Nothing Sticks is scheduled to arrive on March 21 via Get Better Records.
The single, as its title suggests, precedes a momentous year for the artist.
The duo tease new music while also announcing a North American tour kicking off in May.
The prolific electronic artist announces that her latest solo album, Gush, will be out August 22 via Nettwerk.
The annual event is scheduled for May 10 at Pasadena’s Brookside at the Rose Bowl.
“Magnolia” signals a shift back to black metal after the group’s foray into shoegaze on 2021’s Infinite Granite.
Johnathan Bates’ fifth album ADONAI will be out February 28, with the instrumental track serving as the latest single.
A City Drowned in God’s Black Tears, the experimental rap duo’s follow-up to 2022’s collaborative King Cobra, will drop on April 4.
Although the band’s upcoming sold-out tour will celebrate 10 years of their breakout album Strange Trails, the track introduces fans to an interesting new chapter.
The 88-track Love Los Angeles collection aims to benefit Mutual Aid LA Network.
