Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Anna Calvi, Is This All There Is?
The British songwriter returns with a four-song EP defined by theatrical arrangements and an actorish guest list featuring Iggy Pop, Laurie Anderson, Perfume Genius, and Matt Berninger.
Various artists, Red Xerox: Chicago Youth Beat 2020-2025
Spotlighting the diversity of Chicago’s underground scene, this comp is as much a symposium for genre-defying trailblazers as it is a no-skips playlists capturing the city’s budding youth-beat movement.
Cut Worms, Transmitter
Produced by Jeff Tweedy, Max Clarke’s fourth album tampers down the luster of past records, grounding aspects of the indie-folk songwriter’s music that once seemed impossibly pristine.
Mike LeSuer
Tom Fec shares how each song on the band’s first new album in eight years “took either years or a few days” to write.
The Australian group’s third LP is out today via ATO Records.
“I See a Darkness” marks the first new music released through Wasif’s Voidist Records, which will now be home to the artist’s back catalog.
The Y2K-invoking track serves as the indie-pop group’s second release via their new label home of Nettwerk Music Group.
A video for the track lands ahead of emcees Oreo Jones and Sirius Blvck and producer Sedcairn’s second album, Bad Dogs, dropping July 11 via Joyful Noise.
Formerly one half of Talk Normal, Register’s debut double-single is out now.
Ron Mael shares which cultural figures and Parisian neighborhoods may have subtly shaded the duo’s 26th album.
Out today, his experimental debut solo EP N?C succinctly encapsulates his recent relocation from Chicago to New York City.
The LA band’s serpentine third record Dream 3 is out July 11 via Born Losers Records.
The NYC-based songwriter’s Kramer co-produced new album What We Have Now arrives this week via Shimmy-Disc.
Meg Remy answers a few questions about the latest single from her new album recorded with a full band in Nashville, Scratch It.
Maria Crawford’s new country-tinged track follows the single “Pleaser” she released back in March.
The track serves as the lead single for Cassie Wieland’s debut album, I’ll be here, which arrives July 18.
The Asheville pop-punks are gearing up for summer tours with Michael Cera Palin, Dikembe, and Equipment.
The songwriter’s mini-album focusing on each hour of the morning is out today via Concord.
The Japanese-British artist takes us track by track through the nu-R&B of her follow up to 2023’s MSG EP.
Esteban Flores’s debut album A Joy So Slow at Times I Don’t Think It’s Coming drops tomorrow via Mick Music.
James Palko’s project will release their debut album Ripe this Friday via SideOneDummy.
The EBM duo continues to test new waters with their debut EP for metalcore label Sumerian, inviting experimentation on each of these five bone-rattling recordings.
The psych-soul septet shares how Sly and the Family Stone, Modest Mouse, Nala Sinephro, and more helped inspire their latest improvisatory LP, out this week via Don Giovanni.
