With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue
The Smashing Pumpkins, Mellon Collie and the Infinite Sadness [30th Anniversary Edition]
Rising above the odd brand partnerships it came paired with, this opulent quadruple-LP reissue builds off of the already-expansive source material with unearthed live recordings from the band’s creative prime.
The Notwist, Magnificent Fall
This non-chronological batch of remixes and other rarities regales in the utter joy of what must be in the brothers Achers’ heads when they spin gorgeous alchemical gold.
Various artists, All Things Go: 10 Years
Benefitting the Ally Coalition, this collection features original material from the fest’s diversified wealth of artists—though it’s oddly devoid of any actual in-concert recordings.
Mike LeSuer
After releasing her debut solo album, the LA-based songwriter shares how Liz Phair, Local H, Ween, and more helped shape her vision.
The Brooklyn rockers returned earlier this year with new material teasing a future release.
Tom Fec shares how each song on the band’s first new album in eight years “took either years or a few days” to write.
The Australian group’s third LP is out today via ATO Records.
“I See a Darkness” marks the first new music released through Wasif’s Voidist Records, which will now be home to the artist’s back catalog.
The Y2K-invoking track serves as the indie-pop group’s second release via their new label home of Nettwerk Music Group.
A video for the track lands ahead of emcees Oreo Jones and Sirius Blvck and producer Sedcairn’s second album, Bad Dogs, dropping July 11 via Joyful Noise.
Formerly one half of Talk Normal, Register’s debut double-single is out now.
Ron Mael shares which cultural figures and Parisian neighborhoods may have subtly shaded the duo’s 26th album.
Out today, his experimental debut solo EP N?C succinctly encapsulates his recent relocation from Chicago to New York City.
The LA band’s serpentine third record Dream 3 is out July 11 via Born Losers Records.
The NYC-based songwriter’s Kramer co-produced new album What We Have Now arrives this week via Shimmy-Disc.
Meg Remy answers a few questions about the latest single from her new album recorded with a full band in Nashville, Scratch It.
Maria Crawford’s new country-tinged track follows the single “Pleaser” she released back in March.
The track serves as the lead single for Cassie Wieland’s debut album, I’ll be here, which arrives July 18.
The Asheville pop-punks are gearing up for summer tours with Michael Cera Palin, Dikembe, and Equipment.
The songwriter’s mini-album focusing on each hour of the morning is out today via Concord.
The Japanese-British artist takes us track by track through the nu-R&B of her follow up to 2023’s MSG EP.
Esteban Flores’s debut album A Joy So Slow at Times I Don’t Think It’s Coming drops tomorrow via Mick Music.
James Palko’s project will release their debut album Ripe this Friday via SideOneDummy.
