Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Ella Langley, Dandelion
The pop-country songwriter understands the human weight of the American South’s emotionally rich tableau of high-speed heartbreak and low-light bars, as demonstrated on a resilient second album.
Sugar Horse, Not a Sound in Heaven
On their cleanest-sounding record yet, the doomy Bristol band’s idea of dance music feels perfectly suitable for the turbulent year 2026 has already proven to be.
Lime Garden, Maybe Not Tonight
The cocktail of frustration, insecurity, and lust that courses through the Brighton quartet’s buzzing and adventurous second album mirrors the trajectory of an energetic night out.
Mike LeSuer
Beauty Fades, Pain Lasts Forever, the Singaporean dream-pop trio’s first album for Kanine Records, will arrive August 1.
The New Jersey shoegaze bands’ respective tracks “Moving On” and “Someone You Adore” are out today.
The trumpeter and jazz-fusion composer breaks down his spiritual new project, out now via Dom Recs.
The LA trios return with their second new single from their forthcoming EP.
With the arrival of Black Noise, the Montreal-based artist’s third record in nine months, Barnes shares 11 boldly pioneering songs within the realm of rap.
Brigitte Naggar’s first new album in six years Anything Glass arrives June 13 via Keeled Scales and Paper Bag Records.
The piano-centric Places of Unknowing, the songwriter’s first solo record in nearly a decade, arrives this summer.
After releasing her debut solo album, the LA-based songwriter shares how Liz Phair, Local H, Ween, and more helped shape her vision.
The Brooklyn rockers returned earlier this year with new material teasing a future release.
Tom Fec shares how each song on the band’s first new album in eight years “took either years or a few days” to write.
The Australian group’s third LP is out today via ATO Records.
“I See a Darkness” marks the first new music released through Wasif’s Voidist Records, which will now be home to the artist’s back catalog.
The Y2K-invoking track serves as the indie-pop group’s second release via their new label home of Nettwerk Music Group.
A video for the track lands ahead of emcees Oreo Jones and Sirius Blvck and producer Sedcairn’s second album, Bad Dogs, dropping July 11 via Joyful Noise.
Formerly one half of Talk Normal, Register’s debut double-single is out now.
Ron Mael shares which cultural figures and Parisian neighborhoods may have subtly shaded the duo’s 26th album.
Out today, his experimental debut solo EP N?C succinctly encapsulates his recent relocation from Chicago to New York City.
The LA band’s serpentine third record Dream 3 is out July 11 via Born Losers Records.
The NYC-based songwriter’s Kramer co-produced new album What We Have Now arrives this week via Shimmy-Disc.
Meg Remy answers a few questions about the latest single from her new album recorded with a full band in Nashville, Scratch It.
