Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Morrissey, Make-Up Is a Lie
It isn’t always hard to trick ourselves into remembering Moz as he once was on this return-to-form solo LP as he matches mischievous observations with a winning brand of melancholy pop.
Bill Callahan, My Days of 58
Well-observed, a bit absurd, and wholly singular, this “hobo stew” permits each instrument and each musical idea to embrace Callahan’s discursive lyrical and structural style.
Flying Lotus, Big Mama
A hodgepodge of electronic textures, genres, and styles, the artist’s proper debut for his own Brainfeeder label feels improvisational despite its meticulous craftsmanship.
Mike LeSuer
The jazzy R&B composer cites everyone from Karriem Riggins to Vince Guaraldi as inspiration for his latest collection of songs, out this week via Last Gang Records.
The Auckland folk-pop group’s fourth album Ceremony arrives this Friday via Ba Da Bing Records.
The self-directed visual from the East Coast rapper was inspired by an episode of The Sopranos.
News of the songwriter’s first album since 2017 arrives with a video for its lead single, “Summer Glass.”
Arriving June 9, Icon also features tracks with A Place to Bury Strangers, SUUNS, Patriarchy, and others.
The new track follows last year’s Mr. Baby EP.
As Nicolas Cage reteams with Nicholas Hoult in Renfield, we revisit the actors’ original pairing in a deeply human movie about weaving through all the fast food beverages life throws at you.
With his sophomore LP MotherFather out now, Yannick Ilunga shares 20 essential tracks from the musical and cultural movement he coined.
It’s the multimedia artist’s latest hard-hitting rap cut from their forthcoming Angels Everywhere EP, dropping this Friday.
Yvette Young breaks down each track on the mathy trio’s third full-length, out now on Triple Crown Records.
The East Coast rapper shares a trippy visual leading up to his Tony Seltzer–produced Pangea LP, arriving later this week via POW Recordings.
Chicago-based industrial-electronic musician Angel Marcloid shares a tracklist that spans genres in a way that parallels her new LP.
The lo-fi rock duo’s album PUFF is out on May 12 via We Are Busy Bodies.
David Schellenberg takes us deeper into the latest cut from the Winnipeg noise-punks’ forthcoming LP Wrong Dream.
Danny Lee Blackwell also fields questions about his newly announced fifth album Rajan, arriving July 14 via Suicide Squeeze and Fuzz Club.
Christine Fellows and The Weakerthans’ John K. Samson are featured on the track from Cylde Petersen’s forthcoming album The Wrack Line.
The Windhand vocalist’s second solo album drops April 21 via Relapse Records.
The LA-based outfit’s sophomore EP Dopamine Loop is out April 21 via Funeral Party Records.
After teasing new music this week, the pair are sharing “4EVA,” their debut collaborative single under the moniker, which features Pharrell Williams.
The Seattle grunge rockers riff on the worm-brain conservatism of the post-COVID era on their first album in five years, out now via Sub Pop.
