Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Morrissey, Make-Up Is a Lie
It isn’t always hard to trick ourselves into remembering Moz as he once was on this return-to-form solo LP as he matches mischievous observations with a winning brand of melancholy pop.
Bill Callahan, My Days of 58
Well-observed, a bit absurd, and wholly singular, this “hobo stew” permits each instrument and each musical idea to embrace Callahan’s discursive lyrical and structural style.
Flying Lotus, Big Mama
A hodgepodge of electronic textures, genres, and styles, the artist’s proper debut for his own Brainfeeder label feels improvisational despite its meticulous craftsmanship.
Mike LeSuer
Following their 2017 collaboration “Funk That,” the veteran producer and nu-disco duo reteamed for a cut on Nickodemus’ recent LP Soul & Science.
After sharing a dispatch from the studio last week, the songwriter has since revealed that new LP The Land Is Inhospitable and So Are We will arrive September 15 via Dead Oceans.
Denzel Curry
A shortened version of the track was released last week with an Omar Jones–directed visual.
The LA post-punks’ latest record Witness Marks arrives September 22 via God? Records, Ty Segall’s Drag City imprint.
The Austin/OKC-based noise rockers’ sophomore album (dream dump) will arrive September 22 via Born Yesterday Records.
No More Blue Skies, Andrya Ambro’s third album under the no-nonsense no-wave moniker, is out October 20 via No Gold.
The new collection of folk-rock “self-help hymns” arrives August 25 via Orindal Records.
Co-directed by her husband Ron Gallo, the visual arrives ahead of Chiara D’Anzieri’s first English-language LP Imported.
The title track from the guest-heavy Los Angeles arrives today with LCD Soundsystem’s James Murphy on vocals.
History Books is out October 27 via the band’s own Thirty Tigers imprint Rich Mahogany Recordings.
Before taking the stage in San Diego the weekend of August 5, Sabrina Teitelbaum shares 11 tracks she’s been jamming on tour.
Nicole Rodriguez shares an unreleased track ahead of upcoming live dates with Miss Grit, A.O. Gerber, and Kacy & Clayton.
And That’s Why Dolphins Lost Their Legs, Nick Thorburn’s ninth album with the project, is out August 25.
The NYC indie-rock troupe’s EP Sundress Songs drops September 22.
The Memphis-based songwriter’s new EP Loose Screw will arrive August 11.
“Bioluminescence” arrives ahead of the new LP, dropping some time this fall via Mom+Pop Music.
The track is the eighth monthly release from Gabby Sword, Gabby Smith’s second album under the new moniker arriving in December.
Shimmy-Disc is re-releasing the 1974 experimental album from the late composer on vinyl with 20 minutes of unreleased music included with its digital component.
The follow-up release to Jeremy Haywood-Smith’s Captured Tracks debut Slingshot is out August 11.
Chloe Drallos also announces a North American tour in support of Earthly Delights, her new album out August 11 via Young Heavy Souls.
