With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Rhys Langston, Pale Black Negative
The LA-based artist’s most comprehensive foray into genre abolition yet is a whirlwind of artistic exploration that sees the songwriter coloring well outside of hip-hop’s lines.

Subsonic Eye, Singapore Dreaming
The Singaporean indie rockers’ jangly fifth record proselytizes the beauty of the natural world, providing hope with deliriously catchy tunes that channel ’90s groups like Superchunk and GBV.

King Gizzard & the Lizard Wizard, Phantom Island
The Australian band’s growing comfort performing with orchestra musicians results in a bolder, brighter, more engaging, and more direct album than its predecessor.
Mike LeSuer

Between the dregs of Craigslist’s free-stuff listings and “Seinfeld”‘s most obscure moments, there’s always something familiar in the imagery of the NYC-based artist’s work.

[McConaughey accent] That’s what I love about these Linklater protagonists…

A collaboration that is a chilling assessment of our national disharmony.

Behind moments of timidity lurks a menacing DGAF attitude.

Portrait of Chris Shaw of Ex-Cult, backstage at Pickathon festival on 5th August, 2017. Photo ©Anthony Pidgeon
The Memphis punks crank out a quick and dirty rendition of their In The Red debut single.

“Perfume” bolsters the staying power of Wand as a rare contemporary rock band unwilling to forfeit their persona to suit the present.

Stuart McLamb’s raucous lo-fi experiment makes up for lost time with two minutes of heavy, blissed-out pop in anticipation of the forthcoming “Baby Grand,” out August 3 via Merge.

The LA-via-Ottawa garage rock four-piece get spooky in the latest Gentle Leader preview.

The title track from Evian’s forthcoming LP is brought to life with the help of a punk rock sibling and a bright New York afternoon.

On its tenth birthday, let’s look past its genre and appreciate the unrivaled visual flair, debilitatingly honest coming-of-age narrative, and anti-corporate rage of “Speed Racer,” a kids movie.

Rural Italy’s impish garage rock trio opt for misfit royalty over biscuits and loyalty in their cosmic new video.

Young Fathers’ newest addition to their stellar catalog is no exception—but there’s still one key question that needs to be addressed.

As the era of conscious backpack rap fades, Brian Immanuel’s debut “Amen” hints at a new wave of overly-self-conscious, Internet-savvy fanny pack rap.

Commemorating Animal Collective’s earnest stab at moving popular rock music forward and the nine bands that should be dictating the sounds of 2018.

Counting off five Hammers that are just so hyped.

Ruben Zarate’s surf pop project teases their yet-unannounced sophomore album with a new R&B-leaning single.

DC punk’s holiest emissaries belt out the cut from last year’s “Nothing Feels Natural.”

Just when you thought you could pigeonhole Ty Segall into just one entire decade of music.

Somewhere between Cage’s LaBeouf-directed “I Never Knew You” video and Brockhampton’s formation on a Kanye forum, something shifted. That something was almost definitely “Combination Pizza Hut and Taco Bell.”

The sludgy Boston three-piece offers up another preview of their forthcoming “Universal Care.”