Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Portrayal of Guilt, …Beginning of the End
The Austin trio pushes into new territories within the frameworks of hardcore and metal, inserting flourishes of trip-hop, nu metal, and even Memphis rap into their aggressive package.
VINSON, Raw Honey
The debut album from the Detroit-reared artist jumps from jazz to electronica to R&B while always maintaining a cohesive structure of easy Sunday-morning vibes.
Friko, Something Worth Waiting For
With their second album, the Chicago band sheds their tough noise-pop exterior to reveal a more delicate sound—and emotional truisms to match—as they grow more confident.
Mike LeSuer
The “Jerry Maguire”–hoarding collective invites you to break in their new East LA storefront with them July 6.
Thirty years later, the black comedy remains among the most underrated films in the Cage canon.
An auditory illusion that sparked an internet phenomenon wasn’t the only influence on the LA psych trio’s fourth album.
The hypnagogic pop experimentalist unpacks themes of life, death, and bodiless existence on her third solo album.
The new single from the Connecticut rockers further distances Zackery Abramo from his experimental pop past in Vundabar.
Ellen Kempner cites eleven songwriting influences on the Boston trio’s latest LP for Polyvinyl.
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Brothers Alex and Austin Ward host what is quite likely the only podcast entirely devoted to the 1999 sci-fi comedy.
Unearthed from a bonus DVD accompanying their 2008 release, John Dwyer & co. serve up on-location live sets and compelling commentary.
Bay Area experimentalist Tia Cabral explains how Kubrick, Sun Ra, and “Frankenstein” inspired the unique aesthetic for her sophomore LP.
The Toronto post-hardcore outfit tease their cinematic fourth album with a wildly diverse track list of influences.
Akron/Family guitarist Seth Olinsky breaks down his influences from Swans to Patti Smith on his latest single.
The noise pop group share the closing track to their forthcoming Hardly Art debut with an interactive video.
Matt Messore’s dream pop project gigs a New Jersey graveyard before hitting the West Coast.
Coppola, Scorsese, Spielberg, and De Palma all have new movies in production or slated for release later this year. Is it OK if we don’t really care?
Rick Maguire takes on the ghoulish policy advisor in the video for the Boston rockers’ latest single.
The heartland punk outfit teases their sixth album with a very enthusiastic video for lead single “(I Blame) Society.”
With “Us” hitting theaters last Friday, we’re ranking the ten most notable pioneering titles kept to two characters.
It seems weird that we’re able to arrange a top-fifteen list of bands with one-word names ending in -ing, but we might as well do it…right?
19 September 2018ñ “The Faint” is photographed at their band space on 26th and Farnam.
Todd Fink talks homework, “Egowerk,” and his band’s early emo work.
The Sunsets provide an experimental soundtrack to the doodled thoughts of a teenaged Sonny Smith.
