With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Sufjan Stevens, Carrie & Lowell [10th Anniversary Edition]
Padded out with a personal essay, family photos, and outtakes, this re-release of Stevens’ album-length eulogy permits yet another return to the 1980s Oregon of the artist’s memory.

Alan Sparhawk, With Trampled by Turtles
Far more mournful than his solo debut from last year, the former Low member’s collaboration with the titular bluegrass band is drenched in sorrow, absence, longing, and dark devastation.

Cola Boyy, Quit to Play Chess
Despite bristling with Matthew Urango’s familiar cotton-candied disco, the late songwriter and activist’s sophomore album also opens the floodgates to everything else he seemed capable of.
Mike LeSuer

You can live in the couple’s Hollywood Heights Craftsman for a cool one mil.

Jasmine White-Gluz and co-producer Tara McLeod walk us through the reworking of these four “Motherhood” singles and a Deftones cover.

Formerly known as Ablebody, Anton and Christoph Hochheim’s latest project arrives July 16.

The Icelandic composer made a playlist of film score favs that inspired his work on the new Asia Argento thriller.

The duo’s new EP takes you back to the early 2010s when guitar-infused rap was making a comeback.

The Philadelphia-based artist discusses her band’s new album “Like a Stone” and her dedication to songwriting.

Michael Caridi’s post-LVL UP project has expanded to a four piece, as heard on the dual single out today via Double Double Whammy.

Roddy Bottum and Joey Holman list 16 tracks that match the queer affection of their new debut record.

The new comp demonstrates just how comfortable Deathbomb Arc’s vocalists are working over borderline-nonsense electronics courtesy of Hausu Mountain.

Cooper Handy’s new album “The Music Industry Is Poisonous” is out now.

The LA rapper and multi-instrumentalist’s new album is available on Bandcamp today via POW Recordings.

The Richmond rapper on his new album “For My Mama and Anyone Who Look Like Her” and the pitfalls of genre.

Hannah D‘Amato answers some of our burning questions about the Oakland rockers’ recent self-titled debut (and milk).

You can listen to “Everything Pale Blue” in full ahead of its Friday release via Orindal Records.

The LA-based songwriter is sharing a video for the track from his newly released “Keep Trying” EP.

The month’s most discourse-worthy singles, according to our Senior Editor.

The artist shares how the expansive set of songs featuring Mac DeMarco, Cola Boyy, and more came together.

The New Orleans–based duo’s latest LP, “I Could Only See Night,” is out now.

It’s the second track Bauer’s released this year via his label Fortune Tellers.

With news of a second Trust Records pressing of their seminal 1980 debut album “Group Sex,” Morris tells us what he was jamming in the early ’80s.