Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
@, Autosmile
The experimental duo coil psychedelic-folk introspection around prog-rock guitar flourishes across the dramatically pivoting tracklist of their acoustically oriented debut for 4AD.
Rachel Chinouriri, I Think I Spoke Too Soon
On her second album, the English artist pivots to clubbier sounds that both satisfy and sting as she suppresses loneliness with a fake smile and a polished dance-pop sheen.
Fontaines D.C., Dopamine Chamber
Opting for a synthetic architecture over the driving guitar language of earlier records, the Dublin band shatters their sonic frontier to reveal a grim catechism for hyper-processed hedonism.
Mike Wass
In our latest digital cover, we caught up with Dylan Minnette, Braeden Lemasters, and Cole Preston to discuss their new album, plus an exclusive live performance of “Missing Out.”
On the heels of her new EP Comfortably in Pain, the viral songwriter talks being at the forefront of Gen Z’s new wave of genre-bending artists.
In our latest digital cover story, the Israeli songwriter walks us through the making of her recent LP “KIDS (Against the Machine),” the “very rebellious sister album” to the record she released earlier this year.
The EDM duo discuss experimentation in live shows, festival must-haves, and their famous book tree.
