Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Lime Garden, Maybe Not Tonight
The cocktail of frustration, insecurity, and lust that courses through the Brighton quartet’s buzzing and adventurous second album mirrors the trajectory of an energetic night out.
MEMORIALS, All Clouds Bring Not Rain
The genre-hopping fifth LP from Verity Susman and Matthew Simms is more ornate and ambitious than their earlier material, though ultimately the whole is lesser than the sum of the parts.
Filth Is Eternal, Impossible World
Vibrant, dexterous, and unrelentingly compelling, the Seattle hardcore-punks’ fourth album sees them mature into a band adept at writing songs lasting more than two minutes.
Mischa Pearlman
Exasperation drummer Dave Mead’s debut solo LP Speaking Terms will arrive October 10.
Murray Macleod takes us track by track through the Brighton punks’ journey of self-rediscovery, which is out now via UNFD.
The Boston-based quartet’s debut album I Think About It All the Time lands October 13 via Equal Vision Records.
On their first record in 11 years, the Swedish garage-rock revivalists have as much gusto, energy, and attitude as they did on their 1997 debut.
Takiaya Reed discusses how the joy of creation adds a personal layer to the anti-colonialist drone-metal project’s mission statement.
The track arrives ahead of the Melbourne punks’ fifth LP Endless, out October 20 via Fat Wreck Chords.
The track was recorded during the same sessions as last year’s White Tiger LP.
Christopher Pappas’ new collection of songs How Do I Feel? arrives September 1 via Little Record Company.
Executed with precision and grace, the group’s first release in over a decade blends the darkly political with the profoundly personal.
Militarie Gun at Stereogum Range Life party at Cheer Up Charlie’s
Ian Shelton discusses the various roads which led to the LA punks’ debut LP, Life Under the Gun.
The Phoenix folk-punks’ eighth LP feels more post-/mid-apocalyptic than foreshadowing of it while maintaining the band’s wonderful mix of pathos and humor.
The Canadian noise-punks’ fourth record is out now via Dine Alone Records.
The duo’s second album Bound to Be will arrive June 23.
Ceschi Ramos, Get Dead’s Sam King, and NOFX’s Fat Mike discuss their debut album This Is Crime Wave, which draws from their own experiences in the criminal justice system—and a sitcom-like housing situation.
The Santa Barbara by way of Philly songwriter takes us through his “post-apocalyptic Americana” opus track by track.
On his sophomore solo LP, the former Exitmusic member ponders the highs and lows of existence through somber, gravelly vocals.
With their new album Ten Stories High out today, the band also shares some of their biggest influences on the recording.
The Pittsburgh politipunks’ 13th studio album is a culmination of everything they’ve been singing about since forming back in the late-’80s.
These 15 covers of R&B and soul classics are treated with both the reverence they deserve on their own terms, and with which Springsteen also clearly holds for them.
Alex Magnan breaks down each track on the NYC-based trio’s latest, out now via Equal Vision.
