FLOOD

FLOOD is a new, influential voice that spans the diverse cultural landscape of music, film, television, art, travel, and everything in between.
Mischa Pearlman
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First Listen
Born Without Bones Turn Adversity on Its Head in Video for New Track “Fistful of Bees”

The Massachusetts punks’ new album Dancer arrives November 4 via Pure Noise.

October 12, 2022
Reviews
Naomi Alligator, “Double Knot”

On her label debut, Corrinne James is still laying her vulnerabilities on the line in what sounds like the most intimate setting.

October 10, 2022
No Devotion Are Bouncing Back From Oblivion

Geoff Rickly shares how the continuation of what looked like a one-off side-project allowed him to scratch an itch left untouched by the recent Thursday reunion.

October 07, 2022
Reviews
Greg Puciato, “Mirrorcell”

This sophomore solo LP is an exhilarating ride with some moments of magic, but one that never quite reaches the inimitable heights that Dillinger Escape Plan offered.

October 04, 2022
Reviews
Anthony Green, “Boom. Done.”

The Circa Survive vocalist’s latest solo release sees him turn all his pained experience and existential torment into a gorgeous soundtrack to pure, distilled feeling.

October 03, 2022
Reviews
TOLEDO, “How It Ends”

There’s a real darkness holding the quiet hush of the Brooklyn-based duo’s debut full-length together, which reveals a deep pain and trauma if you pay attention.

September 30, 2022
Reviews
Dead Kennedys, “Fresh Fruit for Rotting Vegetables” (2022 Mix)

The West Coast punks’ 1980 debut full-length stands as both an important historical document and a necessary, contemporary reflection of the world today.

September 28, 2022
Reviews
The Mars Volta, “The Mars Volta”

This self-titled record takes The Mars Volta in the most unexpected of directions as it firmly shakes off any preconceptions of what this band is or ever was.

September 26, 2022
Reviews
Pianos Become the Teeth, “Drift”

The fifth full-length from the Baltimore post-hardcore outfit is a beautifully bleak yet overwhelmingly comforting examination of life.

September 12, 2022
Reviews
Spielbergs, “Vestli”

Despite being a record about feeling stuck, the Norwegian trio’s sophomore LP shimmers with an infectious freedom and inexorable vitality.

September 07, 2022
Reviews
Queen Kwong, “Couples Only”

Carré Callaway’s latest is a brilliant testament to human endurance, to battling extreme adversity, to keeping going when you really don’t want to.

September 06, 2022
Voxtrot Are Re-Learning Their Significance

Ramesh Srivastava discusses self-growth, making big statements, and reviving the band after 12 years.

August 31, 2022
Reviews
R.E.M., “Chronic Town” [Reissue]

While this motley crew surely had no idea of the profound impact their songs would go on to have on alternative music and culture, this 1982 debut EP nevertheless sounds revolutionary, vital, important.

August 19, 2022
Reviews
…And You Will Know Us by the Trail of Dead, “XI: Bleed Here Now”

It’s the cumulative effect of the Austin rockers’ 11th LP that makes this album what it is: an interdimensional fever dream that reinvents the entire history of modern music.

July 15, 2022
Reviews
Arlo McKinley, “This Mess We’re In”

The latest from the Cincinnati-based folk songwriter captures the extremes of the human experience, the highs and lows of being alive.

July 14, 2022
Reviews
Damien Jurado, “Reggae Film Star”

The songwriter’s 18th LP is a haunted concept album that brings to life the tired hearts, souls, and minds of characters based in a distant, perhaps parallel, past.

June 24, 2022
Track by Track
Petrol Girls Take Us Through Their Fiery New LP “Baby” Track by Track

The Austrian political-punk four-piece’s unfortunately timely third record is out now via Hassle Records.

June 24, 2022
First Listen
The Flatliners Dig Deep Into Anxiety in the Video for New Single “Souvenir”

The Ontario punks’ sixth full-length New Ruin is out August 5 via Fat Wreck Records.

June 21, 2022
Joyce Manor on Continuing to Create Constellations of Time, Space, and Experience

Barry Johnson talks blending past and present on 40 oz. to Fresno, and how curiosity continues to fuel the West Coast pop-punk outfit.

June 14, 2022
Reviews
All Get Out, “Kodak”

The band’s fourth full-length is a powerful homage to the good, the bad, and the stasis of smalltown America.

June 10, 2022
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