Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
The Nerves, Best Collection
Third Man collects everything the power-pop legends ever released 50 years after their lone EP, with these live tracks and demos proving why such a short-lived group was so influential.
Fenne Lily, Win Win
With an assured sense of vulnerability and potent imagery, the Brooklyn-via-Dorset songwriter’s fourth album finds comfort in post-breakup acceptance and personal renewal.
@, Autosmile
The experimental duo coil psychedelic-folk introspection around prog-rock guitar flourishes across the dramatically pivoting tracklist of their acoustically oriented debut for 4AD.
Mischa Pearlman
2014. Phil Selway, “Weatherhouse”
Anyway, the point is that this second solo album by Radiohead drummer Philip Selway does contain a good deal of heart.
2014. Robyn Hitchcock “The Man Upstairs” album art
Recorded and mixed in a week by legendary producer Joe Boyd (Pink Floyd, Nick Drake), Robyn Hitchcock’s latest LP—his twentieth solo record in a thirty-plus-year career—is a collection of covers and originals.
This third record from musical duo (and siblings) Angus & Julia Stone wasn’t meant to be.
2014. Drenge’s self-titled album art
Yet while the brothers’ compositions are monolithic—and almost monotone—in their post-grunge drudginess, they’re also full of verve.
