With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Bob Mould, Here We Go Crazy
Explicitly pitched as a response to the unrest of early 2025, the former Hüsker Dü leader’s first album in five years continues to confidently summon instant-earworm hooks and visceral thrills.

Vundabar, Surgery and Pleasure
The infectious Boston trio’s sixth album adds some complexity to their signature jangle with darker, rougher textures, though its lyrics don’t always live up to the music’s maturity level.

Alabaster DePlume, A Blade Because a Blade Is Whole
Informed by the dualities of harm and healing, the English saxophonist and poet weaves a tapestry of sounds—spiritual jazz, folk, classical, and beyond—into a potent missive of grace.
Natalie Marlin

Constricting yet chillingly spacious, the atmosphere of this debut is guided by the achingly human tremble in Mohr’s voice and the tangible weariness of her minimal use of guitar and synth.

Within the overwhelming force and unfathomable cosmic horrors of the metal duo’s latest LP rests a remarkable emotional complexity, proving the band wields as much pathos as they do pain.

The duo’s sixth album is a mad cocktail of nu-metal sneers, industrial sludge rock, and electropunk angst that tests the limits of the project’s ethos.

Johnny Whitney and Jordan Blilie discuss their upcoming reunion tour, the quintet’s undeniable creative chemistry, and the evolving hardcore landscape.

With the inaugural edition of the multi-venue event taking place back in June, we spoke with co-founders KW Campol and Denholm Whale about their inclusive approach to celebrating metal, noise, hardcore, dark folk, and everything in between.

The Wednesday guitarist’s third solo record is a staggering refinement of no-frills songwriting that swaps the bells-and-whistles novelties of its predecessor with something more muted.

The shapeshifting grindcore collective continue to find new brutal horizons to explore on their expansive yet focused first non-collaborative LP in three years.

The Manchester quartet’s most consistent record in years pairs themes of the eternal uphill climb of inhumane capitalism with the band’s own creative ascent.

The songwriter discusses finding beauty in “cringe,” the influence of dreams, and sharing the catharsis of their new album in a live setting ahead of their performance at The Fonda this weekend in LA.

Lætitia Tamko uses her third LP to process all of the mournfulness and ecstasy, excess and ennui of the past four years using the sounds she found in her escapes to nightclubs to cope.

Rosenstock’s fifth album carries the weight of all the global erosion he’s always sung about while providing a captivating new glimpse into how his songwriting may continue to mature.

Animal Collective’s Dave Portner shares how drone music, meditation, and community fed into 7s, one of his most human solo releases to date.

Alloysious Massaquoi discusses recapturing youth and breaking new ground on the band’s fourth LP.