With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Neko Case, Neon Grey Midnight Green
Arriving after her longest gap between solo records, Case’s eighth LP is heavy with atmospheric details and new perspective; it wonders yet never wanders.

Wednesday, Bleeds
The Asheville band’s latest set of contemporary Southern-gothic tales thrives on hyper-specific lyrical details as sweet sentimentality disarmingly gives way to visceral walls of sound.

Automatic, Is It Now?
On their polished, hopeful third album, the LA synthpop trio increases the empty sonic space as they move away from the cluttered, rough edges of lo-fi punk.
Patrick Devitt

Steven Soderbergh not only reinvents the haunted house genre, but also crafts a poignant meditation on loss, memory, and the unseen forces that shape our lives.

The new HBO mini-series lacks direction as it attempts to make light of the historic Watergate scandal in exchange for passé satire.

Ahead of Kline’s week-long programming series at NYC’s Lincoln Center, we discuss his directorial debut feature as well as what the series has in store.

The “Lion King” soundtrack’s visual companion skips out on the passion of previous films made by Knowles.