With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
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Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
12
The Los Angeles Issue
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Reviews
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Hotline TNT, Raspberry Moon
Will Anderson’s debut with a full band exhibits his fondness for crunchy shoegaze while incorporating a stripped-down, folk-referencing sound tinged with melancholic guitar.
Yaya Bey, Do It Afraid
In its 18 brief, blipping songs, the Brooklyn neo-soul artist’s latest venture into old-school rap, acid jazz, soca, and trip-dub is closer to a groove mixtape than a cohesive album.
HAIM, I Quit
The sister trio’s fourth full-length is a summer breakup concept record that’s intimate, powerful, and too scattered within its catharsis.
Patrick Devitt
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Film + TVFilm Review
“Presence”: A Haunting Vision of Grief and Memory
Steven Soderbergh not only reinvents the haunted house genre, but also crafts a poignant meditation on loss, memory, and the unseen forces that shape our lives.
January 21, 2025
Film + TV
“White House Plumbers” Struggles to Balance Comedic Tone with Its Significant Historical Backdrop
The new HBO mini-series lacks direction as it attempts to make light of the historic Watergate scandal in exchange for passé satire.
May 04, 2023
Film + TVIn Conversation
Fake Sweat in the Basement: Owen Kline and Daniel Zolghadri Talk “Funny Pages”
Ahead of Kline’s week-long programming series at NYC’s Lincoln Center, we discuss his directorial debut feature as well as what the series has in store.
August 19, 2022
Film + TV
Beyoncé’s “Black Is King” Is Formally Adequate, But Lacks a Singular Vision
The “Lion King” soundtrack’s visual companion skips out on the passion of previous films made by Knowles.
August 03, 2020
