With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Sabrina Carpenter, Man’s Best Friend
The pop star embraces the risqué and ribald double (or triple) entendre on her latest record while sticking to the success-filled formula of last summer’s breakout LP.

Slow Crush, Thirst
The Belgian shoegazers’ noisier and more mature third record takes the form of a hopeful manifesto that the human race still has the opportunity to reinvent itself.

Blood Orange, Essex Honey
Dev Hynes’ guest-filled yet distinctly lonely first album in seven years takes his usual complex arrangements, epic electronica, and intricate melody-making and pushes them into the red.
Patrick Devitt

Steven Soderbergh not only reinvents the haunted house genre, but also crafts a poignant meditation on loss, memory, and the unseen forces that shape our lives.

The new HBO mini-series lacks direction as it attempts to make light of the historic Watergate scandal in exchange for passé satire.

Ahead of Kline’s week-long programming series at NYC’s Lincoln Center, we discuss his directorial debut feature as well as what the series has in store.

The “Lion King” soundtrack’s visual companion skips out on the passion of previous films made by Knowles.