With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.
Bonnie “Prince” Billy, The Purple Bird
Created in tribute to his friendship with producer Dave Ferguson, the youthful energy they channel together works well for a no-frills country record that gets so much done with so little.
Kathryn Mohr, Waiting Room
Constricting yet chillingly spacious, the atmosphere of this debut is guided by the achingly human tremble in Mohr’s voice and the tangible weariness of her minimal use of guitar and synth.
Pink Siifu, Black’!Antique
On his sprawling fourth solo release, the rapper, producer, and post-soul provocateur—along with his coterie of collaborators—achieves something both memorably melodic and weirdly wired.
Patrick Devitt
Steven Soderbergh not only reinvents the haunted house genre, but also crafts a poignant meditation on loss, memory, and the unseen forces that shape our lives.
The new HBO mini-series lacks direction as it attempts to make light of the historic Watergate scandal in exchange for passé satire.
Ahead of Kline’s week-long programming series at NYC’s Lincoln Center, we discuss his directorial debut feature as well as what the series has in store.
The “Lion King” soundtrack’s visual companion skips out on the passion of previous films made by Knowles.