With 232 pages and an expanded 12″ by 12″ format, our biggest print issue yet celebrates the people, places, music, and art of our hometown, including cover features on David Lynch, Nipsey Hussle, Syd, and Phoebe Bridgers’ Saddest Factory Records, plus Brian Wilson, Cuco, Ty Segall, Lord Huron, Remi Wolf, The Doors, the art of RISK, Taz, Estevan Oriol, Kii Arens, and Edward Colver, and so much more.




Photo by Michael Muller. Image design by Gene Bresler at Catch Light Digital. Cobver design by Jerome Curchod.
Phoebe Bridgers makeup: Jenna Nelson (using Smashbox Cosmetics)
Phoebe Bridgers hair: Lauren Palmer-Smith
MUNA hair/makeup: Caitlin Wronski
The Los Angeles Issue

Billie Marten, Dog Eared
The British indie-folk songwriter’s fifth album is aided by a full-band even in its most personal moments, as Marten reflects on indelible scenes from childhood as seen through adult eyes.

Flooding, Object 1
The Kansas City trio ushers in a new kind of tenderness with an EP running the gamut from slowcore to screamo, one that’s vulnerable and violent and completely captivating.

Clipse, Let God Sort Em Out
Paired with familiar high-gloss minimalism courtesy of producer Pharrell Williams, Pusha T and Malice’s first album in 16 years stands up fairly well as an assured re-up of their rap powers.
Patrick Devitt

Steven Soderbergh not only reinvents the haunted house genre, but also crafts a poignant meditation on loss, memory, and the unseen forces that shape our lives.

The new HBO mini-series lacks direction as it attempts to make light of the historic Watergate scandal in exchange for passé satire.

Ahead of Kline’s week-long programming series at NYC’s Lincoln Center, we discuss his directorial debut feature as well as what the series has in store.

The “Lion King” soundtrack’s visual companion skips out on the passion of previous films made by Knowles.