Celebrate our tenth anniversary with the biggest issue we’ve ever made. FLOOD 13 is deluxe, 252-page commemorative edition—a collectible, coffee-table-style volume in a 12″ x 12″ format—packed with dynamic graphic design, stunning photography and artwork, and dozens of amazing artists representing the past, present, and future of FLOOD’s editorial spectrum, while also looking back at key moments and events in our history. Inside, you’ll find in-depth cover stories on Gorillaz and Magdalena Bay, plus interviews with Mac DeMarco, Lord Huron, Wolf Alice, Norman Reedus, The Zombies, Nation of Language, Bootsy Collins, Fred Armisen, Jazz Is Dead, Automatic, Rocket, and many more.
Overmono, Pure Devotion
The sibling duo’s second album encapsulates a contemporary fusion of popular approaches to electronic music, one that’s imbued with a sense of familiar emotional weight.
John Carpenter, Cathedral
The Halloween composer-director’s latest effort is a synth-heavy metal album planned as a soundtrack to his first-ever graphic novel, though both endeavors stand on their own merits.
Ariana Grande, Petal
The pop star’s eighth record finds roots in resilience, twisted romance, and unsparing musings on fame, though it never quite ascends to the extravagant spectacle it sets the stage for.
Patrick Devitt
Steven Soderbergh not only reinvents the haunted house genre, but also crafts a poignant meditation on loss, memory, and the unseen forces that shape our lives.
The new HBO mini-series lacks direction as it attempts to make light of the historic Watergate scandal in exchange for passé satire.
Ahead of Kline’s week-long programming series at NYC’s Lincoln Center, we discuss his directorial debut feature as well as what the series has in store.
The “Lion King” soundtrack’s visual companion skips out on the passion of previous films made by Knowles.
